BEGIN:VCALENDAR VERSION:2.0 PRODID:-//Fundación Nino Díaz - ECPv6.17.4.1//NONSGML v1.0//EN CALSCALE:GREGORIAN METHOD:PUBLISH X-ORIGINAL-URL:https://www.ninodiazfundacion.org X-WR-CALDESC:Events for Fundación Nino Díaz REFRESH-INTERVAL;VALUE=DURATION:PT1H X-Robots-Tag:noindex X-PUBLISHED-TTL:PT1H BEGIN:VTIMEZONE TZID:Europe/London BEGIN:DAYLIGHT TZOFFSETFROM:+0000 TZOFFSETTO:+0100 TZNAME:BST DTSTART:20200329T010000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+0100 TZOFFSETTO:+0000 TZNAME:GMT DTSTART:20201025T010000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:+0000 TZOFFSETTO:+0100 TZNAME:BST DTSTART:20210328T010000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+0100 TZOFFSETTO:+0000 TZNAME:GMT DTSTART:20211031T010000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:+0000 TZOFFSETTO:+0100 TZNAME:BST DTSTART:20220327T010000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+0100 TZOFFSETTO:+0000 TZNAME:GMT DTSTART:20221030T010000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:+0000 TZOFFSETTO:+0100 TZNAME:BST DTSTART:20230326T010000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+0100 TZOFFSETTO:+0000 TZNAME:GMT DTSTART:20231029T010000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:+0000 TZOFFSETTO:+0100 TZNAME:BST DTSTART:20240331T010000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+0100 TZOFFSETTO:+0000 TZNAME:GMT DTSTART:20241027T010000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:+0000 TZOFFSETTO:+0100 TZNAME:BST DTSTART:20250330T010000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+0100 TZOFFSETTO:+0000 TZNAME:GMT DTSTART:20251026T010000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:+0000 TZOFFSETTO:+0100 TZNAME:BST DTSTART:20260329T010000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+0100 TZOFFSETTO:+0000 TZNAME:GMT DTSTART:20261025T010000 END:STANDARD END:VTIMEZONE BEGIN:VEVENT DTSTART;TZID=Europe/London:20250315T180000 DTEND;TZID=Europe/London:20250315T190000 DTSTAMP:20250226T062056Z CREATED:20250226T062056Z LAST-MODIFIED:20250226T062056Z UID:10000312-1742061600-1742065200@www.ninodiazfundacion.org SUMMARY:LUDWIG A musical journey through Europe with Beethoven DESCRIPTION:Buy your ticket \nLudwig van Beethoven\, the genius from Bonn\, is looking for inspiration to compose his most famous symphony. Accompanied by his friends Elisa and Nikolaus\, he will embark on a musical journey across Europe through his most popular melodies. This brilliant musical and scenic project is part of the Class-ik Cycle of the Nino Díaz Foundation and is aimed at a family and children’s audience. \nBeethoven’s arrangements of songs from different countries for piano\, violin\, cello and voice are the basis of this show. A hymn to fraternity between peoples with music by Beethoven. A musical and stage experience that not only celebrates Beethoven’s genius\, but also introduces children to the world of classical music in a fun and educational way. \nArtistic details\nMusic: Ludwig van Beethoven\nText and direction: José Carlos Campos\nSet design: Manuel Artiles\nCostumes: Mila Arana \nElise: Alba Roben\nNikolaus: Manuel Gómez Ruiz\nLudwig van Beethoven: José Carlos Campos\nViolin: Marta Oramas\nCello: Marisa Roda\nPiano: Antonio Brito URL:https://www.ninodiazfundacion.org/evento/ludwig-a-musical-journey-through-europe-with-beethoven/ LOCATION:Teatro Víctor Fernández Gopar “El Salinero”\, Calle Rambla Medular 65\, Arrecife\, Las Palmas\, 35500\, España CATEGORIES:Concert ATTACH;FMTTYPE=image/jpeg:https://www.ninodiazfundacion.org/wp-content/uploads/2025/02/Ludwig.jpg ORGANIZER;CN="Fundaci%C3%B3n Nino D%C3%ADaz":MAILTO:fnd@fundacion-ninodiaz.org GEO:28.9656479;-13.5547732 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Teatro Víctor Fernández Gopar “El Salinero” Calle Rambla Medular 65 Arrecife Las Palmas 35500 España;X-APPLE-RADIUS=500;X-TITLE=Calle Rambla Medular 65:geo:-13.5547732,28.9656479 END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/London:20250301T190000 DTEND;TZID=Europe/London:20250301T203000 DTSTAMP:20250204T105006Z CREATED:20250204T105006Z LAST-MODIFIED:20250204T105006Z UID:10000310-1740855600-1740861000@www.ninodiazfundacion.org SUMMARY:DUO KLARIER DESCRIPTION:JOSEP SANCHO SANCHO \n‘The works could hardly have been interpreted with greater expressiveness and style’. This is how the Financial Times of London describes Josep Sancho\, winner of the International K. Penderecki Music Competition and one of the most versatile clarinettists of his generation. Penderecki Music Competition and one of the most versatile clarinettists of his generation. \nTrained in Barcelona with Joan Enric Lluna and at the Royal Academy of Music in London\, he has won numerous awards at the JJ.MM de Espana\, Palau de la Música de Barcelona\, the Geoffrey Hawkes Clarinet Prize\, the John Ireland Chamber Music Competition and the BBC Young Artists Forum in London. \nHe has collaborated with the Orchestre des Jeunes de la Mediterranée\, the Interregionales Simphonieorchester\, the Royal Liverpool Philharmonic Orchester\, Orquesta Sinfónica del Liceo\, Orquestra del Teatre Lliure and the European Union Chamber Orchestra. In the field of chamber music he has collaborated with members of the Ensemble Intercontemporaine\, the Osiris Trio from Holland\, the string quartets Brodsky\, David\, Casals and Con Tempo\, the Ensemble Barcelona 216 and the Schubert Octet. \nParticularly interested in the dissemination of contemporary music\, he has founded the Trio Guinjoan and the orchestra Cambra XX. He is a frequent contributor to 20th century music festivals\, most notably his participation in the Donatoni Festival in London and the Alicante Contemporary Music Festival. \nPILAR LÓPEZ-CARRASCO COMAJUNCOSAS \n‘We can say that his Schoenberg is definitive\, as is his reading of Messiaen’s music…’ Francesc Taverna-Bech. Revista Musical Catalana. \nHe studied at the Conservatori del Liceu in Barcelona (Honorary Prize) and at the Franz Liszt Academy in Budapest. First Prize in the XI edition of the International Piano Competition ‘Xavier Montsalvatge’. She received a scholarship with the ‘Oms i de Prat’ Prize and also by the Hungarian Government to extend her studies in Hungary. \nHer presence as a soloist has been requested by numerous festivals such as: ‘Festival de Música y Danza de Granada’\, ‘Quincena Musical de San Sebastián’\, ‘Matinées du piano’ of Orleans\, Festival Internacional de Música de Santander\, Auditori de Barcelona\, Festival de Perelada\, Ljubljana… and in many festivals specialised in contemporary music. \nFor many years he has received advice from the maestro Jean-Pierre Dupuy. He has performed as a member of the Duo Kroma\, Trio Guinjoan\, Diabolus in Musica\, piano duo with Jean-Pierre Dupuy\, among many others. \nHe has recorded for Radio France\, Radio Slovenija\, RNE\, TV Alhambra\, Catalunya Música… with numerous premieres of Spanish composers. URL:https://www.ninodiazfundacion.org/evento/duo-klarier/ LOCATION:Camel House\, Camino el Volcan I\, 33\, Macher\, Las Palmas\, 35571\, España CATEGORIES:Concert ATTACH;FMTTYPE=image/jpeg:https://www.ninodiazfundacion.org/wp-content/uploads/2025/01/Duo-Klarierr-scaled.jpg ORGANIZER;CN="Fundaci%C3%B3n Nino D%C3%ADaz":MAILTO:fnd@fundacion-ninodiaz.org END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/London:20241221T203000 DTEND;TZID=Europe/London:20241221T220000 DTSTAMP:20241205T171725Z CREATED:20241205T171725Z LAST-MODIFIED:20241205T171725Z UID:10000308-1734813000-1734818400@www.ninodiazfundacion.org SUMMARY:CHRISTMAS CONCERT DESCRIPTION:Opera\, Zarzuela and Christmas carols as part of the 3rd Lanzarote Opera Festival. \nFree admission until full capacity is reached. URL:https://www.ninodiazfundacion.org/evento/christmas-concert/ LOCATION:Teatro Municipal de San Bartolomé\, Pl. León y Castillo\, 7\, San Bartolomé\, Las Palmas\, 35559\, España CATEGORIES:Opera,Zarzuela ATTACH;FMTTYPE=image/jpeg:https://www.ninodiazfundacion.org/wp-content/uploads/2024/11/AAFF-FOL-CONCIERTO-DE-NAVIDAD-A-copia-scaled.jpg ORGANIZER;CN="Fundaci%C3%B3n Nino D%C3%ADaz":MAILTO:fnd@fundacion-ninodiaz.org END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/London:20241005T200000 DTEND;TZID=Europe/London:20241005T213000 DTSTAMP:20240909T190402Z CREATED:20240909T155413Z LAST-MODIFIED:20240909T190402Z UID:10000297-1728158400-1728163800@www.ninodiazfundacion.org SUMMARY:NATALIA NIKOLAEVA piano DESCRIPTION:Born in the Crimean peninsula\, she lives in Berlin and Lanzarote. She began her piano and music pedagogy studies in Simferopol (Crimea) and Lviv (Ukraine)\, which she continued at the University of the Arts (UdK) in Berlin. During his studies he took part in various advanced piano and chamber music courses. \n\nHe taught piano at the University of Potsdam\, where he also obtained a doctorate on the works of the composer Sergej Rachmaninov. He has published several articles in musical publications. He has had an intense concert activity as a solo pianist as well as in collaboration with orchestras and chamber ensembles. He has given concerts in Germany\, Ukraine\, Russia\, Poland\, Belgium\, France\, Sweden\, the Netherlands and Latin America.\n\nTranslated with DeepL.com (free version) \n\nIn Spain\, especially in the Canary Islands\, his educational and concert projects are regularly presented\, such as “La Pasión de Viajar”\, “Espérame”\, “Proyecto Humboldt”\, “Mararía de Lanzarote”\, among others. URL:https://www.ninodiazfundacion.org/evento/natalia-nikolaeva-piano-2/ LOCATION:Las Palmas CATEGORIES:Concert ATTACH;FMTTYPE=image/jpeg:https://www.ninodiazfundacion.org/wp-content/uploads/2024/09/Natalia-Nikolaeva-scaled.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/London:20240607T200000 DTEND;TZID=Europe/London:20240607T210000 DTSTAMP:20240509T154843Z CREATED:20240509T154843Z LAST-MODIFIED:20240509T154843Z UID:10000285-1717790400-1717794000@www.ninodiazfundacion.org SUMMARY:DIEGO BARBER | Proximity Concerts DESCRIPTION: URL:https://www.ninodiazfundacion.org/evento/diego-barber-proximity-concerts/ LOCATION:Casa de la Cultura Agustin de la Hoz\, Av. la Marina\, 7\, Arrecife\, 35500 CATEGORIES:Concert ATTACH;FMTTYPE=image/jpeg:https://www.ninodiazfundacion.org/wp-content/uploads/2024/05/WhatsApp-Image-2024-05-08-at-07.39.30-scaled.jpeg ORGANIZER;CN="Fundaci%C3%B3n Nino D%C3%ADaz":MAILTO:fnd@fundacion-ninodiaz.org END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/London:20240601T200000 DTEND;TZID=Europe/London:20240601T210000 DTSTAMP:20240430T060814Z CREATED:20240430T060814Z LAST-MODIFIED:20240430T060814Z UID:10000283-1717272000-1717275600@www.ninodiazfundacion.org SUMMARY:VILLA DE LA OROTAVA WIND QUINTET DESCRIPTION:The woodwind quintet of the Ensemble Villa de La Orotava presents a programme where you can enjoy the most representative works for this ensemble from the middle of the 20th century\, by French and American composers. \n\nPROGRAMME \nTres piezas breves – J. Ibert \n– Allegro \n– Andante \n– Assez lent – Allegro \nScherzando Pastorale Op. 14 Nº 1 – G. Pierné \nLa Cheminée du roi René Op. 205 – D. Milhaud \n– Cortège \n– Aubade \n– Jongleurs \n– La Maousinglade \n– Joutes sur l´Arc \n– Chasse à Valabre \n– Madrigal-Nocturne \nThree Shanties – M. Arnold \n– Allegro con brio \n– Allegretto semplice \n– Allegro Vivace \nBelle Époque en Sud America – J. Medaglia \n– El porche negro \n– Tango \n– Vals Paulista \n– Requinta Maluca \n– Corinho URL:https://www.ninodiazfundacion.org/evento/villa-de-la-orotava-wind-quintet/ LOCATION:Centro Cívico El Fondeadero\, Avenida del varadero\, Puerto del Carmen\, Tías\, 35510 CATEGORIES:Concert ATTACH;FMTTYPE=image/jpeg:https://www.ninodiazfundacion.org/wp-content/uploads/2024/04/Quinteto-de-viento-3-1-scaled.jpg ORGANIZER;CN="Fundaci%C3%B3n Nino D%C3%ADaz":MAILTO:fnd@fundacion-ninodiaz.org GEO:28.9216457;-13.6730654 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Centro Cívico El Fondeadero Avenida del varadero Puerto del Carmen Tías 35510;X-APPLE-RADIUS=500;X-TITLE=Avenida del varadero:geo:-13.6730654,28.9216457 END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/London:20240406T200000 DTEND;TZID=Europe/London:20240406T210000 DTSTAMP:20240209T162423Z CREATED:20240209T162423Z LAST-MODIFIED:20240209T162423Z UID:10000280-1712433600-1712437200@www.ninodiazfundacion.org SUMMARY:MOKÖI DUO DESCRIPTION:Juan Manuel Díaz Rivero\, violin \nBorn in Las Palmas de Gran Canaria\, he began his violin studies at the age of 7 at the Academy of the Philharmonic Orchestra of Gran Canaria with Mikhail Vostokov. He obtained the Superior Violin degree at the Superior Conservatory of Music of the Canary Islands with the highest grades. He later pursued a Postgraduate in Violin at the Escola Superior de Música de Catalunya with the prestigious pedagogue Eva Graubin\, thanks to a scholarship awarded by the Fundación Mapfre Guanarteme. \nHis violinistic training has been influenced by: Jose Luis Melián\, Gabriel Simón\, Eltchi Ivanova\, Anatoli Romanov\, Mariana Abacioaie\, Sergio Marrero\, and Vera Martínez. He has expanded his violinistic and chamber music knowledge with: Anna Baget\, Enrique Palomares\, Alberto Rosado\, José Ramón Méndez\, Amayak Dourgarian\, Rainer Sonne\, Benjamin Schmid\, Boris Belkin\, Mariana Sirvu\, Oyvind Bjora\, Klaidi Sahatci\, Michail Gieler\, among others. \nIn 2009\, he was part of the Francisco Guerrero String Quartet\, with which he won the First Prize in the Chamber Music Competition Santa María de Guía. \nCurrently\, he is a regular collaborator with the Tenerife Symphony Orchestra\, Gran Canaria Philharmonic Orchestra. He has also collaborated with the Las Palmas Symphony Orchestra\, Classical Chamber Orchestra of the Canary Islands\, Camerata Orchestra of Gran Canaria\, Chamber Orchestra of the Canary Islands\, Camerata XXI\, Yucatán Symphony Orchestra\, among others. \nIn terms of pedagogy\, he has been a full-time professor at the Music School of Las Palmas de Gran Canaria\, a full-time professor of violin and chamber music at the University of Sciences and Arts of Chiapas (Mexico)\, and currently\, he is a violin professor at the Daute-Isla Baja Regional Music School. \nIn 2023\, he obtained a Master’s Degree in Direction and Management of Cultural and Creative Industries from the Miguel de Cervantes European University. \nHis passion for chamber music has led him to be a founding member of the Camerata Orchestra of Gran Canaria\, KanArt Ensemble\, Arkitec Duo\, and Moköi Duo. \n\nKathleen Balfe Arnold\, cello \nKathleen Balfe has lived and worked in Spain since 2003 when she began her career with the Tenerife Symphony Orchestra. In 2007\, she won the position of solo cellist with the City of Granada Orchestra\, an institution she currently remains with. She is also a founding member of the contemporary group Ensemble NeoArs Sonora since its conception in 2008. \nWith this activity\, Kathleen Balfe has had the opportunity to perform at the most renowned festivals and institutions in Spain\, such as the CNDM\, Spanish Music Festival in Cádiz\, Canary Islands Music Festival\, Musica Músika in Bilbao\, Classical Music Festival in El Escorial\, San Sebastián Musical Fortnight\, and the International Music and Dance Festival of Granada. \nWith the Ensemble NeoArs Sonora\, she has appeared on RTVE’s Programa de Mano and recorded a four-disc project\, Patrimonios Sonoros\, subsidized by the BBVA Foundation in 2016\, dedicated to Spanish composers. \nKathleen Balfe collaborates with the New Century Chamber Orchestra in San Francisco and is a member of the orchestra of the Cabrillo Festival of Contemporary Music in Santa Cruz\, California\, exclusively dedicated to contemporary music written by composers mostly from the United States. \nShe has recorded albums with various ensembles for Verso\, Bis\, and RCA Records. URL:https://www.ninodiazfundacion.org/evento/mokoi-duo/ LOCATION:Centro Cívico El Fondeadero\, Avenida del varadero\, Puerto del Carmen\, Tías\, 35510 CATEGORIES:Concert ATTACH;FMTTYPE=image/jpeg:https://www.ninodiazfundacion.org/wp-content/uploads/2024/02/Mokoi-Duo-scaled.jpg ORGANIZER;CN="Fundaci%C3%B3n Nino D%C3%ADaz":MAILTO:fnd@fundacion-ninodiaz.org GEO:28.9216457;-13.6730654 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Centro Cívico El Fondeadero Avenida del varadero Puerto del Carmen Tías 35510;X-APPLE-RADIUS=500;X-TITLE=Avenida del varadero:geo:-13.6730654,28.9216457 END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/London:20240302T200000 DTEND;TZID=Europe/London:20240302T210000 DTSTAMP:20240130T070603Z CREATED:20240130T070603Z LAST-MODIFIED:20240130T070603Z UID:10000278-1709409600-1709413200@www.ninodiazfundacion.org SUMMARY:Radovan Cavallin & Jelena Očić DESCRIPTION:Radovan Cavallin\, clarinete \nwas born in Zagreb\, he completed his primary and secondary music education at the Pavle Markovac Elementary School in Zagreb\, and at the age of thirteen he became the youngest student at the Zagreb Academy of Music\, where he graduated in 1986 in the class of Professor J. Nochta. In the same year\, in competition with 76 candidates\, he passed the entrance exam at the Conservatoire National Superieur de Musique de Paris\, where (in the second year of his studies in 1988) he realized the Premier prix for chamber music in the class of prof. Ch Lardea\, and in 1989 he graduated in the class of prof. Mr. Deplus by winning the Premier prix for clarinet. \nHe is the recipient of scholarships from the Ivo Pogorelić Foundation in 1986\, Nadia and Lily Boulanger in 1987\, and the Ministry of Culture of the French Government in 1988. During his studies in Zagreb\, he was awarded prizes and recognitions: the Darko Lukić Award of the Croatian Association of Music Artists\, the Music Critic Award of the newspaper Vjesnik\, the University of the City Award \nZagreb\, Dragan Gurtl Music Academy Award\, SKOJ Seven Secretaries Award\, Croatian Music Institute Award. At the national clarinet competitions in SFRY\, he won: first prize – in 1981\, 1983\, 1985 and 1986\, and at international competitions in Ancona (Italy)\, first prize in 1984\, and second prize in Seville (Spain) in 1995. years. \nHe performed more than 400 solo concerts in Croatia\, Slovenia\, Bosnia and Herzegovina\, Macedonia\, Kosovo\, Serbia\, Italy\, France\, Germany\, the Czech Republic\, Portugal\, Colombia\, Spain and Japan. As a soloist\, he performed with the Zagreb Philharmonic\, Zagreb Soloists\, Niš Philharmonic\, HRT Orchestra\, Zagreb Chamber Orchestra\, Belgrade Symphony Orchestra\, Warsaw Symphony Orchestra\, Gotvaldovo National Orchestra\, Theatro de Bologna\, Filarmonica de Gran Canaria\, Orquesta Sinfonica de Extremadura\, Orchestra Franco – Belgian from Brussels. \nHe performed at the festivals: Ferrara (Italy)\, Dubrovnik (Croatia)\, Bad Hersfeld (Germany) and Granada (Spain). Radovan Cavallin recorded for the labels such as Agrup Arte productions\, ASV\, Jugoton\, Croatia-Records\, Arte Nova\, BMG\, Crystal Records\, Summit Records and Maguelone. \nHe is one of the founders of chamber ensembles: Alisios Camerata\, Atlantida Quartet\, Trio Spohr\, Reinecke Quartet and Isola Ensemble. \nCavallin is a lecturer at summer master seminars for clarinet in Spain\, Portugal\, Belgium\, Colombia and Croatia and a member of the jury at the international clarinet competition “Julian Menendez” in Avila (Spain). \nSince 1989\, he has been a solo clarinetist in the Orquesta Filarmonica de Gran Canaria and a clarinet professor at the orchestral academy. \nArtista is Selmer\, Rico and Backun and interprets on clarinet: Selmer Privilege\, Rico Reserve Classic mouthpieces and Backun Moba Arabesque mouthpiece. \nJelena Očić\, cello \nEnergetic\, poetic\, virtuoso and sometimes deeply melancholic in her powerful musical expression are some of Jelena’s attributes that win the hearts of the audiences and critics\, who described her as “a rich kaleidoscope of colors and emotions”.\nHer striking art of cello playing has met with ovations on three continents. \nBernard Greenhouse\, the legendary cellist and founder of the Beaux Arts Trio\, lauded Jelena Očić as “one of the most distinctive cello talents of our time”.\nThe cellist Siegfried Palm\, a major figure in 20th century music\, called Jelena Očić “one of the leading talents in the field of interpretation of contemporary music”. \nAfter completing music studies in her native Zagreb in the class of prof. Valter Dešpalj\, Jelena Očić continued her studies at the Musikhochschule Mannheim\, Germany\, in the class of renowned cellist and pedagogue Michael Flaksman. She enriched her musical language and instrumental art attending private studies with Bernard Greenhouse in the USA. (from 2004-2010) \nNot only Siegfried Palm and Bernard Greenhouse\, but also Leslie Parnas\, Arto Noras\, Victoria Yagling\, Antonio Meneses and Heinrich Schiff inspired her to become a unique and powerful musical personality. \nFrom 2004 to 2016\, Jelena Očić was a Cello professor at the “Hochschule für Musik und Darstellende Kunst” Mannheim\, and from 2014 to 2022 taught as a “senior cello professor” at the “CvA” (Conservatorium van Amsterdam) in the Netherlands. Among her students are winners of international competitions\, members of important orchestras and professors at Music Academies throughout Europe. \nJelena Očić leaves an unforgettable impression on her audience with her interpretations of cello literature\, from early baroque to contemporary composers. As a chamber musician\, she regularly collaborates with outstanding artists such as Jose Gallardo\, Gernot Süssmuth\, Friedemann Eichhorn\, Julius Berger\, Per Arne Glorvingen\, Felix Schwartz\, Radovan Cavallin\, late Vladimir Mendelssohn\, Mia Elezovic\, Vlatka Peljhan etc…\nThe “Delian” quartet experienced an extremely fruitful phase with her\, which included joint performances with pianist Bernd Glemser and German actor Bruno Ganz.\nThe late Beaux Arts Trio cellist\, Bernard Greenhouse\, was also one of her music partners. She also dedicated one of her recordings to him\, recorded for the Dutch publishing house “Challenge”\, which includes her interpretation of Beethoven’s “Kreutzer” sonata arranged for cello by the composer and pianist\, Carl Czerny.\nThis recording was declared to be the recording of the month on “Music Web International Classical Music Reviews”.\nFor the same publishing house\, she recorded several sound carriers\, of which the one with the works of Kabalevsky\, Ginastera and Senderovas was nominated and then won a title “recording of the year”. \nIn collaboration with her sister\, Croatian organist Ljerka Očić\, she also recorded baroque sonatas by Barrier and Vivaldi for “Challenge”. That\, almost provocatively imaginative recording called “The BaRock Experience” received excellent reviews in prestigious music publications such as “The Strad” magazine.\nShe is a member of the renowned baroque ensemble “Thüringer Bach Collegium” under the artistic direction of German violinist Gernot Süssmuth and Alisios Camerata. \nJelena Očić is currently an assistant professor for chamber music at the Academy of Music in Zagreb. URL:https://www.ninodiazfundacion.org/evento/radovan-cavallin-jelena-ocic/ LOCATION:Centro Cívico El Fondeadero\, Avenida del varadero\, Puerto del Carmen\, Tías\, 35510 CATEGORIES:Concert ATTACH;FMTTYPE=image/jpeg:https://www.ninodiazfundacion.org/wp-content/uploads/2024/01/Radovan-Jelena-scaled.jpg ORGANIZER;CN="Fundaci%C3%B3n Nino D%C3%ADaz":MAILTO:fnd@fundacion-ninodiaz.org GEO:28.9216457;-13.6730654 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Centro Cívico El Fondeadero Avenida del varadero Puerto del Carmen Tías 35510;X-APPLE-RADIUS=500;X-TITLE=Avenida del varadero:geo:-13.6730654,28.9216457 END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/London:20231104T200000 DTEND;TZID=Europe/London:20231104T210000 DTSTAMP:20230928T015343Z CREATED:20230928T015343Z LAST-MODIFIED:20230928T015343Z UID:10000275-1699128000-1699131600@www.ninodiazfundacion.org SUMMARY:Diego Barber DESCRIPTION:Born on July 13\, 1978\, in Lanzarote\, Canary Islands (Spain)\, Diego Barber was drawn to music from an early age. He began his musical journey with initial training at the Lanzarote Conservatory\, receiving lessons from Miguel Ángel Calzadilla. He also had private instruction at a music school where Toñin Corújo served as his teacher in 1995. Moving to Madrid\, he enrolled in the Arturo Soria Conservatory. At this point\, a significant and fortuitous event may have been meeting José Ramón García\, who\, through his lessons on harmony\, analysis\, and composition\, helped shape Diego as a musician. \nHe later attended the Superior Conservatory of Music in Salamanca and completed his Bachelor’s degree in Classical Guitar in 2001. During his time in Salamanca\, he had the privilege of studying under the guidance of esteemed teachers Costas Cotsiolis and Ricardo Gallen\, the former in Athens for a year and the latter with classes wherever they could meet around the world. \nSubsequently\, he was admitted to the Mozarteum University in Salzburg\, where he completed postgraduate studies in 2006 under the mentorship of Marco Tamayo and Eliot Fisk. As part of his classical music education\, he received masterclasses from musicians like David Russell\, Joaquin Clerk\, Zoran Dukic\, and Pavel Steidi\, among others. \nDiego is also a composer and arranger. His compositions and arrangements have been included in the repertoires of some of the world’s finest guitarists. Diego Barber currently resides in New York\, where he has recorded five albums as a composer and performer with Sunnyside Records and Origin Records. He had the opportunity to perform and record with some of the best contemporary jazz musicians\, including Mark Turner\, Craig Taborn\, Eric Harland\, Butch Morris\, Larry Grenadier\, Jeff Ballard\, Ari Hoenig\, Seamus Blake\, Ben Willians\, and others. \nHe has had the honor of performing at clubs such as Cornelia St. Cafe\, Stone\, Jazz Gallery\, and more. His works have ranked on major jazz charts in the United States and received recognition from specialized press such as National Public Radio\, Jazztimes\, Downbeat\, All About Jazz\, and respected jazz critics like Nate Chinen\, Ted Panken\, Raul D’Gama Rose\, Dave Summer. He was nominated as a potential candidate for inclusion as a “Revelation Artist” by the New Music Seminar and was a Grammy finalist in the category of Instrumental Jazz Album (“Calima\,” 2010)\, among other accolades. \nContact Information: \n\nAddress: 635 East 9th NY\, New York\nEmail: dibari@hotmail.com\nPhone: 001 6462694575\n\nEducation: \n\nSuperior Conservatory of Music of Salamanca\, completed Bachelor’s in Classical Guitar\, Spain\nNational Conservatory of Athens\, postgraduate studies with Professor Costas Cotsiolis\, Greece\nMozarteum University in Salzburg\, completed postgraduate studies\, Austria\nCertificate of Pedagogical Aptitude (CAP)\, Spain (required certificate for teaching music in Spain)\n\nDiscography: \n\n“Calima” (Sunnyside Records)\n“The Choice” (Sunnyside Records)\n“Tales” (Sunnyside Records)\n“411” (Origin Records)\n“One Minute Later” (Sunnyside Records)\n\nPublications: \n\nSome of his music has been published this year by the prestigious Mel Bay Publications.\n\nAwards/Recognitions: \n\nFirst prize in the International Classical Guitar Competition “Leo Brouwer” held in Spain in 2003.\nFirst prize in the competition organized by the Miami Classical Guitar Society in 2004.\nNominated as a potential “Revelation Artist” by the New Music Seminar (NMS) and music industry professionals.\n“Calima” was a finalist among the Grammy 2010 nominees in the category of instrumental jazz album.\n\nIncluded in Best Albums of the Year Lists by: \n\nNational Public Radio\nChicago Tribune\nLos Angeles Times\niTunes (awarded with 4 stars)\nThe New York Village Voice\nDownBeat (awarded with 4 stars)\nThe New York City Jazz Record\nBaltimore City Paper\nJazz Times\nTimeOut\, etc.\n\nReviews: Diego Barber has received acclaim in reviews from publications like All About Jazz\, Billboard\, Jazz Times\, Downbeat\, Pop Matters\, Midwest Record\, Bird is the Worm\, Citizen Jazz\, and more. Here are some excerpts: \n\n“Known for the grandeur and majesty of his guitar style. Diego Barber’s impressive dynamics and exquisite expression are deeply rooted in extraordinary technique.” —All About Jazz.\n“Barber’s style is beautiful; his fingers glide lightly over the fretboard.” —Down Beat Magazine.\n“Diego Barber is a harbinger of things to come and the start of a brilliant career for someone who has all the potential to make a difference in modern music.” —Michael G. Nastos\, Billboard.\n“Barber approaches the guitar with extraordinary precision\, fluidity\, and great sensitivity… He excels at giving an air of mystery and mischief to embedded melodies.” —JazzTimes\n“Barber and Taborn offer a grand epic in four parts. This is music with a brainy punch through the complexity of their interaction\, while also forging a lifeline straight to the heart through the beauty of the music presented. One of the best things I’ve heard all year. Pick of the week.” —Dave Sumner.\n\nProfessional Experience: \n\nHe has taught classes\, workshops\, and private lessons in various cities in Spain\, Austria\, and Germany.\nHe has performed concerts in numerous cities in European and American countries\, including Greece\, Austria\, Spain\, Germany\, France\, the United States\, Mexico\, and more.\nHe has recorded and performed concerts in collaboration with musicians of the caliber of Mark Turner\, Jeff Ballard\, Larry Grenadier\, Ari Hoenig\, Johannes Weindenmueller\, Seamus Blake\, Craig Taborn\, etc.\nHe has conducted courses in various cities in Spain\, including Oviedo\, Extremadura\, Madrid\, Valencia\, Tenerife\, Lanzarote\, etc. URL:https://www.ninodiazfundacion.org/evento/diego-barber/ LOCATION:Centro Cívico El Fondeadero\, Avenida del varadero\, Puerto del Carmen\, Tías\, 35510 CATEGORIES:Concert ATTACH;FMTTYPE=image/jpeg:https://www.ninodiazfundacion.org/wp-content/uploads/2023/06/Diego-Barber-scaled.jpg ORGANIZER;CN="Fundaci%C3%B3n Nino D%C3%ADaz":MAILTO:fnd@fundacion-ninodiaz.org GEO:28.9216457;-13.6730654 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Centro Cívico El Fondeadero Avenida del varadero Puerto del Carmen Tías 35510;X-APPLE-RADIUS=500;X-TITLE=Avenida del varadero:geo:-13.6730654,28.9216457 END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/London:20231007T200000 DTEND;TZID=Europe/London:20231007T210000 DTSTAMP:20230704T171745Z CREATED:20230704T171745Z LAST-MODIFIED:20230704T171745Z UID:10000267-1696708800-1696712400@www.ninodiazfundacion.org SUMMARY:MSM String Quartet DESCRIPTION:MSM String Quartet is made up of graduates of the Maastricht Conservatory of Music. At its inception in 2016\, MSM (Maastricht Society of Music) was created as an association of students of the conservatory\, with the aim of promoting musical career opportunities for its members\, having performed more than 500 concerts throughout Europe to date.\nIn 2018 the group is established as a string quartet to focus on its development as a consolidated ensemble\, having received training from renowned musicians\, some of them members of internationally renowned ensembles such as Glinka Quartet\, Hagen Quartet or Cuarteto Casals\, among others.\nIn 2019\, the ensemble has been awarded a grant for the creation of social and cultural events in Maastricht\, aimed at programming classical music concerts for local audiences.\nIn 2022\, MSM String Quartet wins the second prize “Grand Prix du Public” at the Maastricht Awards of Music. \n\nPROGRAMME \nF. Schubert \nString Quartet\, No. 14 in D minor\, D. 810\, “Death and the Maiden”. \nS. Prokofiev \nString Quartet No. 2 in F major\, op. 92 “Kabardinian”. URL:https://www.ninodiazfundacion.org/evento/msm-string-quartet/ LOCATION:Centro Cívico El Fondeadero\, Avenida del varadero\, Puerto del Carmen\, Tías\, 35510 CATEGORIES:Concert ATTACH;FMTTYPE=image/jpeg:https://www.ninodiazfundacion.org/wp-content/uploads/2023/06/Cuarteto-MSM-1-scaled.jpg ORGANIZER;CN="Fundaci%C3%B3n Nino D%C3%ADaz":MAILTO:fnd@fundacion-ninodiaz.org GEO:28.9216457;-13.6730654 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Centro Cívico El Fondeadero Avenida del varadero Puerto del Carmen Tías 35510;X-APPLE-RADIUS=500;X-TITLE=Avenida del varadero:geo:-13.6730654,28.9216457 END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/London:20230902T200000 DTEND;TZID=Europe/London:20230902T210000 DTSTAMP:20230717T165847Z CREATED:20230717T165847Z LAST-MODIFIED:20230717T165847Z UID:10000268-1693684800-1693688400@www.ninodiazfundacion.org SUMMARY:Atlantic Saxophone Quartet DESCRIPTION:The Cuarteto de saxofones Atlántico is backed by a successful career that has made it a benchmark for chamber music in the Canary Islands. \nThis chamber group\, formed by Jorge Betancor (soprano saxophone)\, Jonás Quesada (alto saxophone)\, Salvador Santana (tenor saxophone) and Sergio Yánez (baritone saxophone)\, has established itself as one of the leading groups of its kind in the Canary Islands\, as shown by its many performances throughout the Canary Islands and the Spanish mainland. The quartet has also developed an important pedagogical work with the celebration of school concerts\, conferences and courses with the aim of making the saxophone and its sounds known\, highlighting the unpublished “Viaje a San Borondón” with music created by the Canarian composer Ernesto Mateo. In 2003\, he won 2nd Prize in the Cajacanarias Chamber Music Competition held in Santa Cruz de Tenerife. In May 2006 he was also awarded 2nd Prize in the UFAM (Union Française des Artistes Musicales) competition. \nOther prizes: \n1st Prize in the Mirabent i Magrans Chamber Music Competition\, held in Sitges (2006). \nSemi-finalist in the City of Lucena Chamber Music Competition (Cordoba) 2006. \n2nd Prize at the Cajacanarias Regional Chamber Music Competition 2007 (Tenerife). \nHis repertoire covers a wide range of styles\, from adaptations of baroque and classical music to contemporary music or works reminiscent of jazz. \nIt has also premiered an important number of works composed expressly for the group by prestigious Canarian composers\, such as Juan Manuel Ruiz\, Juan Manuel Marrero\, Ernesto Mateo\, Nino Díaz or Eliseo Alemán among others\, contributing to the development and diffusion of contemporary music creation in the Canary Islands. \n\nPROGRAMME \nOverture de concerto. A. Vivaldi \nQuatour en Fa mineur. 1st and 4th mov . J. Haydn \nWhen I met you. Nino Díaz \nGrave et Presto. J. Rivier \nSuite Hellénique. P. Iturralde \nDanse Païenne. P. Sciortino \nTango Virtuoso. T. Escaich \nToquades. J. Naulais \nPop in D. J. Petit URL:https://www.ninodiazfundacion.org/evento/atlantic-saxophone-quartet/ LOCATION:Centro Cívico El Fondeadero\, Avenida del varadero\, Puerto del Carmen\, Tías\, 35510 CATEGORIES:Concert ATTACH;FMTTYPE=image/jpeg:https://www.ninodiazfundacion.org/wp-content/uploads/2023/06/Cuarteto-Saxofones-Atlantico-scaled.jpg ORGANIZER;CN="Fundaci%C3%B3n Nino D%C3%ADaz":MAILTO:fnd@fundacion-ninodiaz.org GEO:28.9216457;-13.6730654 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Centro Cívico El Fondeadero Avenida del varadero Puerto del Carmen Tías 35510;X-APPLE-RADIUS=500;X-TITLE=Avenida del varadero:geo:-13.6730654,28.9216457 END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/London:20221201T200000 DTEND;TZID=Europe/London:20221201T213000 DTSTAMP:20221021T193844Z CREATED:20221021T193844Z LAST-MODIFIED:20221021T193844Z UID:10000256-1669924800-1669930200@www.ninodiazfundacion.org SUMMARY:GUSTAVO DIAZ-JEREZ DESCRIPTION:Gustavo Díaz-Jerez ist einer der führenden Vertreter der musikalischen Performance und Kreation in Spanien. Als Pianist ist er in den meisten spanischen Konzertsälen und in vielen der wichtigsten Konzertsäle der Welt aufgetreten (Carnegie Hall und Alice Tully Hall in New York\, Musikverein in Wien\, Concertgebouw in Amsterdam\, Royal Festival Hall in London\, usw.).  Als Solist trat er mit den meisten großen spanischen Orchestern und bedeutenden ausländischen Ensembles (Budapest Festival Orchestra\, Turiner Symphonieorchester\, Berliner Symphoniker usw.) unter der Leitung von Dirigenten wie Ivan Fischer\, Adrian Leaper\, Lü Jia\, Víctor Pablo Pérez u. a. auf.  Er trat auch bei wichtigen Festivals wie dem Festival de Música de Canarias\, Quincena Musical Donostiarra\, Festival de Granada\, La Roque de Anthéron usw. auf. \nAls herausragender Interpret spanischer Musik wurde er 2010 mit der Albéniz-Medaille ausgezeichnet\, eine Auszeichnung\, die auch Alicia de Larrocha für seine Aufnahmen und Sendungen von Iberia erhielt. Zu seiner umfangreichen Diskographie gehört auch die Aufnahme des gesamten Klavierwerks von Manuel de Falla (SEDEM) und der Klaviermusik von Teobaldo Power (RALS).  Für das Label Orpheus hat er Albéniz’ Iberia zum ersten Mal in High Definition Video aufgenommen.   Außerdem hat er\, ebenfalls für das Label Orpheus\, eine CD mit eigenen Werken für Viola d’amore und Klavier zusammen mit dem Bratschisten Sviatoslav Belonogov aufgenommen.  2018 veröffentlichte er eine monografische CD mit seinen eigenen Klavierwerken\, Metaludios für Klavier\, beim Label IBS Classical.  Sein symphonischer Zyklus Maghek\, eine Sammlung von sieben Orchesterwerken\, die von den Kanarischen Inseln inspiriert sind\, wurde vom Royal Scottish National Orchestra und Maestro Eduardo Portal auf einer Doppel-CD aufgenommen\, die bei Signum Records erschienen ist. \nAls Komponist wurden seine Werke von renommierten Interpreten und Ensembles in Spanien und im Ausland uraufgeführt. Im Jahr 2011 wurde sein Orchesterwerk Ymarxa\, ein Auftragswerk des XXVII Festival de Música de Canarias\, vom Royal Philharmonic Orchestra unter der Leitung von Charles Dutoit uraufgeführt. Das CNDM (Centro Nacional de Difusión Musical) hat im Rahmen seines Zyklus XX/XXI Werke bei ihm in Auftrag gegeben.  Vor kurzem hat das Cuarteto Granados sein Quartett Critical Strip uraufgeführt.  Im Jahr 2018 gewann er mit seinem Werk Spectra Fractalis den ersten Preis des Kompositionswettbewerbs der Martín Chirino Stiftung. \nEr ist Autor des Computerprogramms “FractMus”\, das der Erforschung der algorithmischen Komposition gewidmet ist\, und seine Artikel zu diesem Thema wurden in renommierten Fachzeitschriften wie Electronic Musician und dem Leonardo Music Journal des MIT veröffentlicht.  Er hat zahlreiche Kurse und Konferenzen über die Anwendung von Technologie in der Musikproduktion gehalten. \nDer aus Santa Cruz de Tenerife stammende Gustavo Díaz-Jerez war Schüler von Jesús Ángel Rodríguez Martín am Conservatorio Superior de Música seiner Heimatstadt und später von Salomon Mikowsky an der Manhattan School of Music\, wo er auch Komposition bei Giampaolo Bracali und Ludmila Ulehla studierte. \nAußerdem ist er ordentliches Mitglied der Königlichen Kanarischen Akademie der Schönen Künste von San Miguel Arcángel und seit 2002 Professor für Klavier am Conservatorio Superior de Música del País Vasco “Musikene”. \n\nPROGRAMM \nJohann Jakob Froberger (1616-1667)\nTombeau sur la mort de Monsieur Blancheroche FbWV 632 [1652] \nGustavo Díaz-Jerez (1970)\nLa espiral del viento (de Metaludios\, cuaderno IV) [2019]\n\nSamuel Aguilar (1975)\nMeditativa No. 1 [2004]\n\nAntonio Soler (1729-1783)\nSonata nº24 en re menor [c.1780]\nSonata nº10 en si menor [c.1780]\n\nGustavo Díaz-Jerez\nHomenaje a Antonio Soler (de Metaludios\, cuaderno I) [2013]\nNino Díaz [1963]\nFour Canary islands Folk Songs [2022]*\n– Isabella tra un minuto\n– Malagüena non uccidermi\n– Tajinaste esrectus est\n– Folklias quelli della mia terra \nGabriel Erkoreka (1969)\nBalada nº4 (Gérard Grisey in Memoriam) [2021]\n\n\nFrédéric Chopin (1810-1849) \nBalada nº4 en fa menor Op.52 [1843] \n*Estreno mundial URL:https://www.ninodiazfundacion.org/evento/gustavo-diaz-jerez/ LOCATION:Teatro Víctor Fernández Gopar “El Salinero”\, Calle Rambla Medular 65\, Arrecife\, Las Palmas\, 35500\, España CATEGORIES:Concert ATTACH;FMTTYPE=image/jpeg:https://www.ninodiazfundacion.org/wp-content/uploads/2022/09/c-Andrej-Grilc-00761-copia-scaled.jpg ORGANIZER;CN="Fundaci%C3%B3n Nino D%C3%ADaz":MAILTO:fnd@fundacion-ninodiaz.org GEO:28.9656479;-13.5547732 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Teatro Víctor Fernández Gopar “El Salinero” Calle Rambla Medular 65 Arrecife Las Palmas 35500 España;X-APPLE-RADIUS=500;X-TITLE=Calle Rambla Medular 65:geo:-13.5547732,28.9656479 END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/London:20221126T200000 DTEND;TZID=Europe/London:20221126T210000 DTSTAMP:20221102T133422Z CREATED:20220219T070846Z LAST-MODIFIED:20221102T133422Z UID:10000237-1669492800-1669496400@www.ninodiazfundacion.org SUMMARY:JAVIER LLOPIS DESCRIPTION:JAVIER LLOPIS\, clarinet \nConcert performer\, clarinet teacher at the Conservatorio Profesional de Música de Tenerife\, assistant clarinet of the Orquesta Sinfónica de Tenerife\, artistic director of the Tenerife Clarinet Fest and founder of the Pícolo Clarinet International Academy. \nBorn in Cullera (Valencia)\, he began his musical studies at the S.M.I. Santa Cecilia de Cullera and continued them at the Higher Conservatories of Valencia and Tenerife\, obtaining the Honours Prizes in Clarinet (Elementary\, Professional and End of Degree) and in Chamber Music (Professional and End of Degree). Subsequently\, he furthered his clarinet and chamber music studies in Spain\, France\, Germany and Austria\, with maestros Alois Brandhofer\, Alfred Prinz\, Karl Leister\, Bertram Egger\, Eric Hoeprich and Thomas Friedli among others. \nJavier is internationally recognised as one of the most outstanding clarinettists today\, both for the dissemination of the piccolo clarinet as a solo instrument and for the research and development devoted to this instrument. He has performed concerts as a clarinet and requinto soloist in Spain\, France\, Austria\, Italy\, Poland\, Portugal\, Germany\, Slovenia\, Belgium\, Brazil\, Uruguay and the USA\, premiering works that have enriched the scarce existing repertoire for this small instrument. This has allowed him to work with important composers such as Martínez Gallego\, Saul Gómez Soler\, Jose Manuel Encinoso\, Alexander Mullenbach\, Simon Milton\, Jose Manuel Fernández\, Laura Vega\, David Menent\, Milena Perisic and Nino Díaz among others. Javier has also composed several works for piccolo clarinet\, including Gloom 03:27 and the Variations on “Cançons de Mare”. \nIn his pedagogical facet\, Javier develops an intense work as artistic director of the Tenerife Clarinet Fest (International Clarinet Festival of Tenerife)\, in the Professional Conservatory of Music of Tenerife as well as in his international academy specialized in piccolo clarinet\, Pícolo Clarinet International Academy\, a pioneer project in the world as far as this instrument is concerned. \nJavier is also regularly invited to give master classes in Europe and Latin America\, including the University of Joao Pessoa\, the Academia Metropolitana in Lisbon\, Karol Szymanowski in Katowice\, Academia del Clarinetto in Italy\, etc. \nHis teaching has produced prize winners in important national and international competitions\, including Tenerife Clarinet Fest\, Gran Canaria International Competition\, Villa de Agaete International Competition\, Ciudade de Ourense\, Orihuela International Competition\, Italian Clarinet Academy\, Rising Stars Grand Prix of Berlin\, Grand Prize Virtuoso of Salzburg and Golden Classical Music Awards of the USA. \nHe is regularly invited to participate as a jury member in international competitions\, including the International Clarinet Competition “Saverio Mercadante” (Italy)\, I.CA High Scholl Clarinet Competition (Los Angeles and Madrid)\, Tenerife Clarinet Fest\, Concurso Internacional de Gran Canaria\, Concurso Internacional Villa de Agaete and Silverstein Global Clarinet Competition. \nHe has been Clarinet Soloist of the Santa Cecilia Symphony Orchestra of Cullera\, of the La Palma Island Symphony Orchestra\, of the Atlantic Symphony Orchestra\, Clarinet Soloist of the Municipal Symphony Band of Gran Canaria\, Requinto Soloist of the Tenerife Symphony Band (currently on leave of absence)\, founder of the Union and Friendship Band of Santa Cruz de Tenerife\, teacher at the Tenerife Conservatory of Music\, teacher at the Los Realejos School of Music and teacher at the Katarina Gurska Centre of Madrid. \nAs for chamber music\, Javier has played and collaborated in countless ensembles throughout his long musical career. He has formed a duo with pianist Mara Jaubert since 2011\, having developed a wide repertoire for this ensemble that ranges from classicism to the most avant-garde music\, as well as adapting and commissioning music for piccolo clarinet and piano. \nJavier is a Backun\, Vandoren and Silverstein artist. \n\nMARÍA EUGENIA JAUBERT RIUS\, piano \nPianist born in Santa Cruz de Tenerife\, she has performed in recitals with Celso Albelo\, Jorge de León\, Raquel Lojendio\, Nicolas Baldeyrou\, Jose Franch Ballester\, among others\, and also as a soloist. She has given concerts in Japan (Sapporo\, Kawasaki and Tokyo\, including a Masterclass on Spanish music)\, in the Auditorium of Tenerife\, in the University of Mexico DF (U.N.A.M) and was co-repetitive pianist in the world premiere of the English version of “Henry Clifford” by Isaac Albéniz in the Canary Islands Music Festival; in “El Moro de la Patera” by Lothar Siemens as well as in the Zarzuela “Adiós a la Bohemia”. He has been piano accompanist in different productions of the Opera Festival of Las Palmas de Gran Canaria\, in the Regional Singing Prize María Orán of CajaCanarias and also in the singing course of the Mapfre Foundation with the baritone Manuel Garrido.  Pianist at the International Clarinet Meetings held in Tenerife. \nShe began her musical studies at the Conservatorio Superior de Música de Tenerife with C. Hernández and J. Peñalver\, and obtained the Higher Degrees in Piano and Chamber Music at the Conservatorio Superior de Madrid under the direction of Guillermo González with the highest qualifications. With a scholarship from the Ministry of Foreign Affairs\, she continued her studies at the Musikhochschule in Vienna. Later\, with scholarships from the Autonomous Communities of the Canary Islands\, Madrid and the United Kingdom\, she moved to London where she obtained an Advance Course Diploma from the Royal Academy of Music. \nAs an active student she attended courses given by V. Perlemuter\, H. Graf\, Badura-Skoda\, D. Bashkirov\, A. Shiff\, Maria Joao Pires\, among others. \nHe has performed as a soloist with the Tenerife Symphony Orchestra\, the Enigma Group (Zaragoza) and has given recitals in Madrid (Fundación Juan March)\, Barcelona\, in other Spanish capitals\, as well as in Vienna and in the United Kingdom. She has recorded for R.N.E. – Radio 2 – and T.V.E. C. \nWinner of several competitions (Christian Carpenter and W. S. Bennett-London)\, she was selected by the National Federation of Music Societies to give a concert tour in the United Kingdom. \nShe is currently a Repertor of Singing and Instruments at the Conservatorio Superior de Música de Canarias. \n\nPROGRAM \nGIACOMO PANIZZA \nBALLABILE CON VARIAZIONI \nNINO DÍAZ \nEL LLOP I SALOMÉ (for Eb Clarinet and piano)** \nA. PIAZZOLLA (adaptación J.Montilla) \nLA MUERTE DEL ÁNGEL \nR. SCHUMANN \nFANTASIESTÜCKE op 73 \n1. Zart und mit Ausdruck \n2. Lebhaft\, leicht \n3. Rasch und mit Feuer \nL. BERNSTEIN \nSONATA \n1. Grazioso \n2. Andantino – Vivace e Leggiero \nM. MANGANI \nBLUES DE UN AMÉRICAN EN PARIS \nBELA KOVÁCS \nAFTER YOUR; Mr GERSHWIN \n** Estreno Mundial URL:https://www.ninodiazfundacion.org/evento/javier-llopis/ LOCATION:Teatro Municipal de Tías\, Calle San Antonio\, 4\, Tías\, Las Palmas\, 35572\, España CATEGORIES:Concert ATTACH;FMTTYPE=image/jpeg:https://www.ninodiazfundacion.org/wp-content/uploads/2022/02/Dúo-scaled.jpg ORGANIZER;CN="Fundaci%C3%B3n Nino D%C3%ADaz":MAILTO:fnd@fundacion-ninodiaz.org GEO:28.95386;-13.65335 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Teatro Municipal de Tías Calle San Antonio 4 Tías Las Palmas 35572 España;X-APPLE-RADIUS=500;X-TITLE=Calle San Antonio\, 4:geo:-13.65335,28.95386 END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/London:20221119T200000 DTEND;TZID=Europe/London:20221119T210000 DTSTAMP:20221003T142001Z CREATED:20221003T142001Z LAST-MODIFIED:20221003T142001Z UID:10000255-1668888000-1668891600@www.ninodiazfundacion.org SUMMARY:"MUSE" CLARINET TRIO of the OFGC DESCRIPTION:Born in Teror (Gran Canaria)\, where she began her clarinet studies in the academy of the Banda Municipal de Música with Eusebio Bravo\, continuing them in the Academy of the OFGC\, with Miguel A. Rodríguez and Radovan Cavallin\, the Conservatorio Profesional de Música de Las Palmas\, with Antonio Carmona\, the Conservatorio Superior de Música de Canarias\, with Radovan Cavallin\, the Centro Superior de Música del País Vasco – Musikene\, with José Luis Estellés\, Antony Pay\, Carlos Gil\, César Martín\, Carmelo Molina and Henri Bok\, and at the Hochschule für Musik Karlsruhe (Germany)\, with W. Meyer\, Frank Nebl and Leonie Gerlach. She holds a degree in Music and has several Masters in Performance\, Chamber Music and Music Therapy\, as well as training in Alexander Technique and various courses in pedagogy and music education. During her studies\, Laura received scholarships from the Ministry of Education\, the Ministry of Culture and the Mapfre Guanarteme Foundation. She was clarinet soloist with the Joven Orquesta de Gran Canaria\, the Joven Orquesta de Canarias\, the Joven Orquesta Ciudad de Oviedo and the Orquestra Sinfónica da UFRJ (Brazil). He has collaborated with orchestras such as the Orquesta Sinfónica de Euskadi\, the Orquesta Ciudad de Granada\, the Oviedo Filarmonía\, the Philharmonie der Nationen\, the Orquesta Sinfónica de Tenerife and the Kurpfälzisches Kammerorchester\, among others. He is a member of the Banda Sinfónica Municipal de Música de Las Palmas de Gran Canaria until 2021\, when he joins the Orquesta Filarmónica de Gran Canaria\, with which he has been playing regularly since 2002. She has performed concerts in Europe\, the United States and Latin America. Laura Sánchez has been a founding member of the Ensemble Canaires\, the Trio Caliesa and Con Fuoco Quinttet. She also collaborates regularly with the International Bach Festival and the Orquesta Sinfónica de Las Palmas\, as well as with other musical institutions in the Canary Islands. Committed to her homeland and the dissemination of culture\, she actively participates in the creation of Canarian music\, premiering and recording works by contemporary composers such as Laura Vega\, Daniel Roca\, Ernesto Mateo\, Lothar Siemens and Nino Díaz. Laura Sánchez develops an intense work as a teacher\, having taught in several schools in Gran Canaria. Since 2009 she has been teaching clarinet at the Escuela Municipal de Música Candidito de Teror\, where she has been a member of the board for several years\, and is director of the clarinet ensemble “ClariKids”. She also teaches at the Gran Canaria International Clarinet Festival and at the summer course of the Asociación Músico-Educativa Inegale. She is currently clarinet soloist\, requinto and bass clarinet of the Orquesta Filarmónica de Gran Canaria and teacher of the EMM Candidito Teror. \nRADOVAN CAVALLIN \nHe was born in Zagreb\, Croatia\, in 1969. At the age of 13 he entered the Academy of Music at the University of Zagreb\, becoming the youngest student ever admitted. There he graduated four years later with honours. \nIn 1986 he was chosen among 76 candidates to enter the Conservatoire National Supérieur de Musique in Paris\, where he was awarded the following prizes: 1st Prize in Chamber Music unanimously in the class of Christian Lardé in 1988 and 1st Prize in Clarinet unanimously in the class of Guy Deplus in 1989. \nDuring his studies in Paris he was awarded four scholarships: 1986\, Ivo Pogorelich Scholarship; 1987\, Nadia and Lily Boulanger Scholarship; and 1988 and 1989\, French Government Scholarships. \nHe has won prizes in the following competitions: 1st National Clarinet Prize in Yugoslavia on 4 occasions (1981\, 1983\, 1985\, and 1986)\, 1st Prize in the International Clarinet Competition in Ancona (Italy) in 1984\, 2nd Prize in the International Clarinet Competition “Dos Hermanas”\, in Seville (Spain) in 1995. He has performed more than 400 concerts as soloist in Italy\, France\, Germany\, Belgium\, United States\, United Kingdom\, Japan\, China\, Portugal\, Austria\, Poland\, Hungary\, Spain\, Czechoslovakia\, Colombia\, Croatia\, Slovenia\, Bosnia\, Macedonia\, Kosovo\, Serbia and Montenegro. \nHe has performed as soloist with orchestras such as the Zagreb Philharmonic\, Zagreb RTV Orchestra\, Zagreb Soloists\, Belgrade Symphony\, Dubrovnik Symphony\, Rijeka Opera Symphony\, Croatian Ministry of Defence Symphonic Band\, Alcochete Symphonic Band\, Las Palmas Municipal Symphonic Band\, Warsaw Symphony\, St Giles Symphony Orchestra (Oxford\, UK)\, National Symphony Orchestra\, National Symphony Orchestra of Croatia\, National Symphony Orchestra of Croatia\, National Orchestra of Croatia\, National Symphony Orchestra of Croatia\, National Symphony Orchestra of Croatia\, National Symphony Orchestra of Croatia\, National Symphony Orchestra of Croatia\, National Symphony Orchestra of Croatia\, National Symphony Orchestra of Croatia\, National Symphony Orchestra of Croatia\, Orquesta Nacional de Gottwaldov (Czech Republic)\, Orquesta del Teatro de Bolonia\, Orquesta Filarmónica de Gran Canaria\, Orquesta Sinfónica de Las Palmas\, Orquesta de Cámara Béla Bartók\, La Palma Chamber Orchestra\, Orquesta Franco-Belga de Bruselas \,Orquesta Sinfonica de ESMAE\, Orquesta de Extremadura among others\, performing works by: Francaix\, Nielsen \,Mozart\, Copland\, Weber\, Danzi\, Tomasi\, Stamitz\, Bruch\, Stanford\,Navarro\, Mangani\,Krommer\, Leuleux\, Shaw\, Jeanjean\, Palacios\, Marković \,Adamič\, Kovačević\, Grgin I Prohaska. \nHe was also a soloist in the Symphonicity show with Sting and his band and the OFGC. He has performed as a soloist at the festivals of Ferrara (Italy)\, Dubrovnik (Croatia)\, Bad Hersfeld (Germany)\, Granada (Spain)\, Festival de Música de Canarias (Spain)\, La Orotava (Tenerife)\, Brussels (Belgium)\, Lisbon (Portugal) and Ibagué (Colombia)\, St Pauler Kultursommer (Austria). \nHe has made recordings for labels such as Yugoton\, Croatia Records\, Fonart Aquarius Records\, Cantus\, FND\, Arte Nova BMG\, Maguelone\, AgrupArte Producciones\, Cristal Records\, Summit Records and ASV. with works and concertos by Mozart\, Françaix\, Copland\,Danzi\,Strauss\,Czerny\, Jenner\,Duvernoy\,Lindpaitner\, Reinecke\, Cherny\, Jenner\, Beethoven\,Shaw\, Šaban\, Paar\, Kunc\, Palacios\, Montsalvatge\, Detoni\, Parac\, Jelaska\, Bobić\, Skender \, Prohaska Adamič\, Grgin Kovačević \, Diaz and Bjelinski. \nHe is one of the founders of the Canarian chamber ensembles Cuarteto Atlántida\, Trío Spohr\, Cuarteto Reinecke\, Ensemble Isola\, La Palma Chamber Orchestra\, Canarian Clarinet Camerata and Alisios Camerata. He has given more than 60 courses and master classes in Spain\, USA\, Cyprus\, China\, Japan\, Belgium\, Italy\, Portugal\, France\, Poland\, Croatia\, Slovenia and Serbia. He has also been a member of several international clarinet competitions. He is Artistic Director of the Gran Canaria International Clarinet Festival\, (Spain)\, VIMM-Virovitica International Clarinet Meeting (Croatia) and La Palma Chamber Orchestra (Spain). \nSince 1989 he has been Professor of the Academy and Principal Clarinet Soloist of the Orquesta Filarmónica de Gran Canaria with which he has performed under the baton of M. Rostropovich\, M. Yurovsky\, G. Rozhdéstvenski\, L. Slatkin\, J.C. Casadesus\, Norman del Mar\, Gianandrea Noseda\, Trevor Pinnock\, Gunter Herbig\, Leopold Hager\, Gabriel Chmura\, Antoni Wit\, Adrian Leaper\, Karel Mark Chichon\, Karlos Kalmar\, among many others. \nBetween 2002 and 2010 he was Professor of Clarinet at the Conservatorio Superior de Música de Canarias (Las Palmas de Gran Canaria). Radovan Cavallin is a Selmer\, Silverstein and Backun artist and performs with Selmer “Muse” clarinet\, Backun “Arabesque” mouthpiece\, and Silverstein clamp. and the Silverstein “Titanium” clamp. \nSAMUEL HERNÁNDEZ \nHe was born in La Laguna in 1985 and began his studies at the Conservatorio Profesional de Música de Tenerife\, later at the age of 17 he entered the Conservatorio Superior de Música de Canarias being the youngest student. He was awarded a scholarship to extend his Postgraduate and Master studies at the Royal Conservatoire of Scotland with Maximiliano Martin and Heather Nicoll\, finishing them with Distinction and Honours\, winning important prizes such as the RSAMD Trust\, Governor’s soloist woodwind Competition and the Mary D. Adams Prize. He has collaborated with prestigious orchestras in Europe and Asia such as the Orchestre de Chambre de Paris\, Scottish Chamber Orchestra\, Royal Scottish National Orchestra\, BBC Scottish Symphony\, Northern Sinfonia\, Britten Pears Orchestra\, Scottish Opera Orchestra\, Bournemouth Symphony Orchestra\, Asia-Pacific Union Orchestra\, The India Symphony Orchestra\, Orquesta Sinfónica de Tenerife\, Macao Orchestra (China)\, Orquesta Sinfónica Verum\, Orquesta Clásica Santa Cecilia\, Banda Sinfónica Municipal de Madrid and performing in the most important concert halls and festivals around the world such as Musikverien (Vienna)\, Royal Albert Hall (London)\, Shanghai Concert Hall (China)\, Performing art Center of Beijing (China) and the BBC Proms (London). He is currently clarinettist of the Orquesta Filarmónica de Gran Canaria\, founding member of the (JOCAN) Joven Orquesta de Canarias\, of the duo “CañayTecla” and Principal Conductor of the Patronato Banda de Música de Valle de Guerra. URL:https://www.ninodiazfundacion.org/evento/muse-clarinet-trio-of-the-ofgc/ LOCATION:Centro Cívico El Fondeadero\, Avenida del varadero\, Puerto del Carmen\, Tías\, 35510 CATEGORIES:Concert ORGANIZER;CN="Fundaci%C3%B3n Nino D%C3%ADaz":MAILTO:fnd@fundacion-ninodiaz.org GEO:28.9216457;-13.6730654 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Centro Cívico El Fondeadero Avenida del varadero Puerto del Carmen Tías 35510;X-APPLE-RADIUS=500;X-TITLE=Avenida del varadero:geo:-13.6730654,28.9216457 END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/London:20221001T200000 DTEND;TZID=Europe/London:20221001T210000 DTSTAMP:20220930T135437Z CREATED:20220908T100006Z LAST-MODIFIED:20220930T135437Z UID:10000250-1664654400-1664658000@www.ninodiazfundacion.org SUMMARY:SPECTACULAR PERCUSSION DESCRIPTION:PACO DÍAZ \nBorn in Santa Cruz de Tenerife where he began his musical studies in percussion and piano. He continued his percussion studies in Seville\, with Professor Pedro Vicedo. Graduated in Music\, specialising in percussion at the Real Conservatorio Superior de Música de Madrid and graduated with a soloist’s diploma (Uitvoerend Musicus) from the Conservato-rium van Amsterdam\, Cum Laude. Invited by the University of Michigan (Ann Arbor) to study under the direction of Michael Udow. Diploma of Advanced Studies awarded by the Department of Art History of the University of La Laguna (Escenarios Abiertos). Certificate of Pedagogical Aptitude\, awarded by the Institute of Educational Sciences of the Complutense University of Madrid. As a solo percussionist he has performed in numerous cities such as Michigan\, Pennsylvania\, Washington D.C.\, Anapolis\, Germany\, Madrid\, Valencia\, Spain. Anapolis\, Germany\, Madrid\, Valencia\, Havana\, Mexico\, Peru\, Argentina\, Brazil and many more. As an orchestral musician he has belonged to and collaborated with different national and international orchestral ensembles\, such as the National Orchestra of Spain\, London Philharmonic\, among others. He has taught in different national and international courses. His commitment to contemporary music has led him to commission and premiere several works for solo percussion\, ensemble\, symphony orchestra and Big Band. He is sponsored by the drum stick manufacturers “Innovative Percussion” and “Schlagkraft” as well as the international instrument brand “Adams Percussion Instruments”. Since 2010 he has been the director of the Festival de Música Contemporánea de Tenerife\, in which internationally renowned percussion artists have participated. He is currently solo timpanist of the Tenerife Symphony Orchestra and percussion teacher at the Conservatory of Music of the Canary Islands. \nVERÓNICA CAGIGAO \nArtist Adams Instruments\, Innovative Percussion and Southern Percussion ambassador in Spain. She combines her work as an international performer with her work as a teacher in conservatories in Spain since 2013. She currently teaches at the Conservatorio Profesional de Música de Tenerife and from 2013 to 2019 she was part of the percussion chair at the Conservatorio Superior de Música de Aragón. \nAs a soloist she has participated in international venues and festivals in various countries such as Spain\, Portugal and Japan. He has also taken part in online festivals such as Tamborimba 2021 and the Online Mallet Festival organised by Theodor Milkov in 2020. It is worth mentioning her participation as a soloist with Keiko Abe performing the double concert for two marimbas and orchestra\, Wave Impressions II\, with the Orquesta Sinfónica de Tenerife within the Festival de Música Contemporánea de Tenerife FMUC 2016. \nBorn in A Coruña\, she moved to Santa Cruz de Tenerife where she finished her higher studies in percussion at the Conservatorio Superior de Música de Canarias under the direction of Juan Francisco Díaz Martín in 2010\, obtaining a distinction. He then continued his studies in Belgium at the Luca School of Arts with Professor Ludwig Albert and in 2014 he completed his training at this university with two Masters in marimba and a Masters in chamber music\, obtaining the highest marks. In 2016 he studied marimba specialization in Tokyo at the Toho School of Music with the prestigious marimba player Keiko Abe. She has completed her training by receiving master classes from percussionists such as N.J. Zivkovic\, V. Mendoza\, N. Zeltsman\, E. Sejourne\, N. Woud\, J. Putsjens\, etc. \nShe has been awarded in several international competitions: Giornatte de la Percussione (Italy\, 2009)\, Marimba Universal Competition and Chamber Music (Belgium\, 2011)\, Premios María Orán 2013 and Premio Injuve de la Creación Joven 2011 (with Tak Nara Percussion Group). \nHe has been a member of the Joven Orquesta Nacional de España and from 2007 to the present collaborates with the Orquesta Sinfónica de Tenerife. In the chamber music field\, since 2008 he has been a founding member of Tak-Nara Percussion Group with which he has participated in festivals and concert halls in numerous cities in Spain and other countries such as Italy\, Slovenia\, Germany\, Serbia\, Belgium\, USA\, Colombia\, Portugal\, etc. He has participated in Percussion Festival Ksilodrum Slovenia\, Festival Perkutafest\, Festival Internacional de Percusión Valencia\, Festival de Música Contemporánea de Tenerife\, Festival Internacional de Música de Canarias\, Percussion Arts Society International Convention Pasic 2013 Indianapolis (USA)\, IPEW 2014 Croatia\, etc. She is also a founding member of the ensemble T-Percussion. \nAt a pedagogical level\, Verónica Cagigao inaugurates Marimba Online in 2019\, a virtual space specialised in marimba and with which she has trained more than a hundred students from all over the world during the last years. This training space includes activities such as international festivals with leading experts\, individual classes\, group classes in technique\, musical expression and digital marketing for musicians. \nVerónica Cagigao has given master classes in different festivals and courses at national and international level such as Tomarimbando (Portugal)\, Aulas D’Estiu (Castellón)\, Xornadas Musicais O Rosal (Pontevedra)\, XIV Curso de Ritmo Percusión Madrid Okho (Madrid)\, Beebrass Festival (Palencia)\, Merza Percusión (Galicia)\, Online Mallet Festival\, Tamborimba Online 2021 and others. \nIn 2011 his first album TAK-NARA was released. He is currently in the process of recording his solo CD\, Wood that Sings. \n\nPROGRAMA \nRadac Tagwacht – Dr. Berger\nPrelude 1 – E. Sejourne\nA Taburiente – Francis Hernández\nVariations on Japanese Children’s Song – Keiko Abe\nRudimental Clave – J. Wooton\nTocata – Enrique Guimerá\nFantasía Spain de Chick Corea – Arr. Chris Deviney URL:https://www.ninodiazfundacion.org/evento/spectacular-percussion/ LOCATION:Centro Cívico El Fondeadero\, Avenida del varadero\, Puerto del Carmen\, Tías\, 35510 CATEGORIES:Concert ATTACH;FMTTYPE=image/jpeg:https://www.ninodiazfundacion.org/wp-content/uploads/2022/09/26f0c1_40a614a59d944a4cbf86aacc3077b74emv2.jpg ORGANIZER;CN="Fundaci%C3%B3n Nino D%C3%ADaz":MAILTO:fnd@fundacion-ninodiaz.org GEO:28.9216457;-13.6730654 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Centro Cívico El Fondeadero Avenida del varadero Puerto del Carmen Tías 35510;X-APPLE-RADIUS=500;X-TITLE=Avenida del varadero:geo:-13.6730654,28.9216457 END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/London:20220903T200000 DTEND;TZID=Europe/London:20220903T200000 DTSTAMP:20220822T172123Z CREATED:20220722T052433Z LAST-MODIFIED:20220822T172123Z UID:10000244-1662235200-1662235200@www.ninodiazfundacion.org SUMMARY:ALBANY TRIO | Violin\, Cello and Piano DESCRIPTION:The Albany Trio is a diverse and innovative British ensemble whose repertoire focuses primarily on works by women composers\, both current and historical. \nFounded in 2010\, the Trio gave their first lunchtime concert on BBC Radio 3 live on International Women’s Day\, and more recently performed on In Tune in March 2020. The ensemble was selected as Park Lane Group Young Artists and are also members of the Concordia Foundation. In 2014\, the trio was awarded the Richard Carne Junior Fellowship at the Royal College of Music\, where they curated the inaugural Women in Music festival\, which sold out and was featured in The Telegraph. \nThe trio was awarded the Gwyneth George Prize by the Piano Trio Society and was a finalist in the St-Martin-in-the-Fields International Chamber Music Competition. Versatile and wide-ranging\, the trio is an experienced workshop animator\, representing Live Music Now and Chamber Music 2000. The ensemble has received scholarships to attend the Prussia Cove International Musicians’ Seminar\, Pro Corda and the Dartington International Summer School\, as well as studying new works during a winter residency at the Banff Centre in Canada. \nCommitted to bringing works by women composers to new audiences\, Albany regularly collaborates with contemporary composers. They commissioned their fourth trio\, a new work entitled The Orchid and its Hunters by Judith Bingham\, which was premiered live on BBC Radio 3. Their most recent premiere was the piano trio The Art of Precious Scars by Emma-Ruth Richard\, which was performed at Stoller Hall. They have previously premiered works by Charlotte Bray\, Judith Weir and Josephine Stephenson\, with more commissions planned for the future. URL:https://www.ninodiazfundacion.org/evento/albany-trio-violin-cello-and-piano/ LOCATION:Teatro Víctor Fernández Gopar “El Salinero”\, Calle Rambla Medular 65\, Arrecife\, Las Palmas\, 35500\, España CATEGORIES:Concert ATTACH;FMTTYPE=image/webp:https://www.ninodiazfundacion.org/wp-content/uploads/2022/07/IMG_0673.webp ORGANIZER;CN="Fundaci%C3%B3n Nino D%C3%ADaz":MAILTO:fnd@fundacion-ninodiaz.org GEO:28.9656479;-13.5547732 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Teatro Víctor Fernández Gopar “El Salinero” Calle Rambla Medular 65 Arrecife Las Palmas 35500 España;X-APPLE-RADIUS=500;X-TITLE=Calle Rambla Medular 65:geo:-13.5547732,28.9656479 END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/London:20220827T180000 DTEND;TZID=Europe/London:20220827T200000 DTSTAMP:20220822T172410Z CREATED:20220811T155558Z LAST-MODIFIED:20220822T172410Z UID:10000248-1661623200-1661630400@www.ninodiazfundacion.org SUMMARY:LYRIC GALA DESCRIPTION:Pancho Corujo- Tenor\, Olaia Lamata – Mezzo\, Gabriel Álvarez – Tenor\, Ruth Terán – Soprano\, Borja Molina – Tenor Raquel del Pino – Soprano\, David Barrera – Tenor\, Blanca Valido – Mezzo\, Orlando Niz – Tenor\, María Hernández – Soprano Miguel Ortega – Piano URL:https://www.ninodiazfundacion.org/evento/lyric-gala/ LOCATION:Hotel Emblemática Villa Delmás\, C. el Palmeral\, 1\, Haría\, Las Palmas\, 35520\, España CATEGORIES:Concert,Event,Opera ATTACH;FMTTYPE=image/jpeg:https://www.ninodiazfundacion.org/wp-content/uploads/2022/08/WhatsApp-Image-2022-08-11-at-2.25.59-PM-copia-scaled.jpeg ORGANIZER;CN="Fundaci%C3%B3n Nino D%C3%ADaz":MAILTO:fnd@fundacion-ninodiaz.org END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/London:20220819T203000 DTEND;TZID=Europe/London:20220819T203000 DTSTAMP:20220802T193512Z CREATED:20220802T193512Z LAST-MODIFIED:20220802T193512Z UID:10000246-1660941000-1660941000@www.ninodiazfundacion.org SUMMARY:ZARZUELA GALA DESCRIPTION:[fnd_button url=”https://www.ecoentradas.com/elegirsesion/1351″ target=”blank” background=”#ef412d”]Buy tickets[/fnd_button] \nThe Primer Festival de Ópera de Lanzarote and the Concejalia de Cultura del Ayto de Teguise present their first Gala de Zarzuela\, a journey through the most popular melodies of the Spanish lyrical genre par excellence. The most emblematic works of the repertoire such as La Revoltosa by Chapí\, El dúo de la Africana by Fernández Caballero\, El Barberillo de Lavapiés by Barbieri or Luisa Fernanda by Moreno-Torroba will fill the convent of Santo Domingo with perfectly recognisable and enjoyable harmonies and songs. The young soprano from Gran Canaria\, Abenauara Grafiña\, with her beautifully timbre voice and important appearances at the Teatro Pérez Galdós\, Teatro Arriaga in Bilbao and Teatro Jovellanos in Gijón. The tenor Alejandro del Cerro from Santander has started one of the most interesting careers among the young Spanish tenors\, with regular appearances at the Teatro de la Zarzuela in Madrid\, Teatro Campoamor in Oviedo\, Teatro Real in Madrid and the Gran Teatro del Liceu in Barcelona. Gerardo Bullón\, from Madrid\, has become one of the most important baritone voices on the lyric market in his own right\, and is also a specialist when it comes to zarzuela. It is common to see him on the bill of Spanish opera seasons\, such as at the Teatro Real in Madrid\, Gran Teatro Liceu in Barcelona\, Teatro Campoamor in Oviedo or Teatro de la Zarzuela in Madrid. They will be accompanied on the piano by Juan Francisco Parra\, a musician from Gran Canaria\, one of the most sought-after repertoire pianists in the country\, accompanying the great figures of world opera all over the world. URL:https://www.ninodiazfundacion.org/evento/zarzuela-gala/ LOCATION:Santo Domingo Convent\, Calle Guadalupe\, Teguise\, Las Palmas\, 35530\, España CATEGORIES:Concert,Opera ATTACH;FMTTYPE=image/jpeg:https://www.ninodiazfundacion.org/wp-content/uploads/2022/07/Gala-de-Zarzuela-copia-scaled.jpeg ORGANIZER;CN="Fundaci%C3%B3n Nino D%C3%ADaz":MAILTO:fnd@fundacion-ninodiaz.org GEO:29.0567632;-13.5609119 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Santo Domingo Convent Calle Guadalupe Teguise Las Palmas 35530 España;X-APPLE-RADIUS=500;X-TITLE=Calle Guadalupe:geo:-13.5609119,29.0567632 END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/London:20220722T203000 DTEND;TZID=Europe/London:20220722T203000 DTSTAMP:20220715T185517Z CREATED:20220715T185517Z LAST-MODIFIED:20220715T185517Z UID:10000242-1658521800-1658521800@www.ninodiazfundacion.org SUMMARY:Bel Canto Spectacular! DESCRIPTION:Book a seat \nLanzarote’s first opera festival presents ¡Bel Canto Espectacular!\, a lyrical evening that will bring together two of the most important voices on the international opera scene. The baritone-bass Simón Orfila\, born in Menorca\, who after having performed in the most important opera houses of the world\, the Scala in Milan\, Teatro Colón in Buenos Aires\, Teatro Real in Madrid or the Berlin Opera\, comes to Lanzarote to offer us a concert together with the Lanzarote tenor Pancho Corujo\, a regular singer in the Spanish seasons and in theatres such as the Fenice in Venice\, Arena in Verona\, Teatro de la Zazruela\, or Capitole in Toulouse. They will be accompanied on the piano by the Gran Canarian artist Juan Francisco Parra\, one of the most renowned repertoire pianists in the country. \nTogether they will delight with a repertoire of the most famous melodies of opera\, zarzuela and Latin American song. URL:https://www.ninodiazfundacion.org/evento/bel-canto-spectacular/ LOCATION:Teatro-Cine Atlántida\, C. León y Castillo\, 42\, Arrecife\, Las Palmas\, 35500\, España CATEGORIES:Concert,Opera ATTACH;FMTTYPE=image/jpeg:https://www.ninodiazfundacion.org/wp-content/uploads/2022/07/Cartel-copia-scaled.jpeg ORGANIZER;CN="Fundaci%C3%B3n Nino D%C3%ADaz":MAILTO:fnd@fundacion-ninodiaz.org END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/London:20220514T193000 DTEND;TZID=Europe/London:20220514T220000 DTSTAMP:20220331T192532Z CREATED:20220306T194245Z LAST-MODIFIED:20220331T192532Z UID:10000239-1652556600-1652565600@www.ninodiazfundacion.org SUMMARY:I Lanzarote Opera Festival | Rigoletto by G. Verdi DESCRIPTION:Rigoletto es una ópera en tres actos con música de Giuseppe Verdi (Bussetto\, 1813 – Milán\, 1901) y libreto en italiano de Francesco Maria Piave\, basado en la obra teatral Le Roi s’amuse (El rey se divierte) de Víctor Hugo. \nSe trata de un drama de pasión\, engaño\, amor filial y venganza que tiene como protagonista a Rigoletto\, el bufón jorobado de la corte del Ducado de Mantua. \nAntes de su estreno la ópera tuvo grandes problemas con la censura por considerarla como inmoral y obscena. La obra de Víctor Hugo representaba a un rey (Francisco I de Francia) como un seductor cínico e inmoral\, algo que resultaba inaceptable en la Europa de la Restauración posterior a las guerras napoleónicas. El propio autor había tenido problemas con la censura en Francia\, que había prohibido producciones de esta obra después de su primera representación casi veinte años antes. Tras un tira y afloja entre los censores y el compositor\, y gracias a la diplomacia de los administradores del teatro se pusieron de acuerdo con Verdi y el libretista para que se realizaran modificaciones manteniendo lo fundamental. Se cambiaron nombres de personajes y lugares del emplazamiento de la obra de manera que no se podía ofender a nadie y otras cosas menores conservando el núcleo del drama. \nEl estreno tuvo lugar el 11 de marzo de 1851 en el Teatro La Fenice de Venecia obteniendo gran éxito popular. Fue un triunfo completo\, especialmente la escena dramática\, y el aria “La donna è mobile” se cantaba por las calles al día siguiente. \nEn Buenos Aires se estrenó en junio de 1855 en el Teatro Argentino. Llegó al antiguo Teatro Colón en 1857 y al nuevo edificio en su temporada inaugural de 1908. La noche del 29 de mayo de 1910 se representó simultáneamente en tres teatros: Colón\, de la Ópera y Coliseo. \nRigoletto forma junto con Il trovatore y La traviata (ambas de 1853)\, la trilogía popular operística que compuso Verdi a mediados de su carrera\, se ha convertido en un hito del repertorio operístico estándar y es una de las óperas más interpretadas mundialmente. \nARGUMENTO \nLa acción se desarrolla en Mantua (Italia)\, durante el siglo XVI. \nACTO I\nCuadro primero: Salón en el palacio ducal \nSe alza el telón y la escena se sitúa en un salón\, en el palacio del duque de Mantua\, donde se está celebrando una fiesta. El duque canta a una vida de placer con tantas mujeres como sea posible (Questa o quella – “Esta mujer o aquella”). Se vanagloria de su nueva aventura de conquista hacia una desconocida joven del pueblo\, a la que ha visto en la iglesia\, pero él también desea seducir a la condesa de Ceprano\, a la vista de su marido. Rigoletto\, el bufón jorobado del duque\, se burla de los maridos de las damas a las que el duque está prestando atención\, y aconseja al duque que se libre de ellos aprisionándolos o matándolos. Marullo comunica a los cortesanos que el bufón Rigoletto oculta a una “amante”\, y los nobles no se lo creen. Como casi toda la corte ha sido víctima de las burlas de Rigoletto\, todos quieren devolverle las ignominias. Posteriormente\, Rigoletto se burla del conde Monterone\, otro a quien el Duque ha insultado a través de la deshonra a su hija y que entra en escena reclamando venganza. El Duque manda arrestarlo. Monterone es arrestado mientras proclama la famosa maledizione que traerá la perdición a Rigoletto. La maldición aterroriza a Rigoletto. \nCuadro segundo: En los suburbios\, frente a la casa de Rigoletto. \nRigoletto vuelve a casa preocupado por la maldición. Se le acerca un extraño\, Sparafucile\, un asesino profesional que ofrece sus servicios a Rigoletto. Rigoletto contempla las similitudes entre ellos dos (Pari siamo! – “¡Somos parecidos!”); Sparafucile mata a los hombres con su espada\, y Rigoletto usa “una lengua de malicia” para apuñalar a sus víctimas. Entra en la casa y allí encuentra a Gilda\, su hija (a quien los cortesanos habían tomado como su amante). Gilda vive escondida y resguardada por su padre. Se saludan con afecto en el dúo Figlia!\, Mio padre! – “¡Hija!” “¡Padre mío!”\, que muestra la relación entre ambos: Rigoletto es un padre cariñoso y temeroso de perder a su hija; Gilda es una niña ansiosa de conocimiento\, aunque respeta mucho a su padre. Rigoletto ha estado ocultando a su hija del duque y el resto de la ciudad\, y ella no conoce la ocupación de su padre. Puesto que él la ha prohibido aparecer en público\, ella no ha estado más que en casa y en la iglesia y no conoce ni el nombre de su padre. Rigoletto insiste en que Gilda no salga más que a misa y que la acompañe su doncella\, Giovanna. \nCuando Rigoletto se ha ido\, el duque aparece y\, escondido\, se entera de que Gilda es en realidad la hija de Rigoletto y que se siente culpable por no haberle hablado a su padre del joven al que ha conocido en la iglesia\, pero que ella lo amará todavía más si fuera un estudiante y pobre. Tras sobornar a Giovanna\, el duque logra entrar en el jardín de la casa de Rigoletto y le declara su amor. El duque miente a Gilda sobre su identidad diciendo que es un estudiante (È il sol dell’anima – “El amor es el sol del alma”). Cuando ella le pregunta su nombre\, él dubitativo se llama a sí mismo Gualtier Maldé. Afuera se oyen las voces de Ceprano y Borsa que planean el rapto de la supuesta amante de Rigoletto y Gilda teme que sea su padre de vuelta. Echa al duque después de intercambiar rápidamente votos de amor (Addio\, addio – “Adiós\, adiós”). El duque se marcha y Gilda se queda sola meditando por su amor por el duque\, a quien cree un estudiante (Gualtier Maldè! … Caro nome – “Querido nombre”). \nMás tarde\, en la oscuridad de la noche los hostiles cortesanos se encuentran con Rigoletto en la parte de afuera de la tapia del jardín. Creen que Gilda es la amante de Rigoletto\, se preparan para raptar a la indefensa muchacha. Convencen a Rigoletto de que están preparando el rapto de la esposa de Ceprano\, le tapan los ojos y lo usan para ayudarlos con el rapto. Están todos enmascarados y Rigoletto ayuda\, sin percatarse que está ayudando a raptar a su propia hija Gilda. Cuando Rigoletto se da cuenta ya es demasiado tarde. Lleno de angustia\, se derrumba\, recordando «Ah\, la maledizione!». \nACTO II\nEl palacio del duque \nEl duque está preocupado porque Gilda ha desaparecido (Ella mi fu rapita! – “¡Me la han robado!” y Parmi vedar le lacrime – “Me parece ver las lágrimas”). Entran los cortesanos y ofrecen al duque la supuesta amante de Rigoletto. El duque se da cuenta de que se trata de Gilda y va en su busca (Possente amor mi chiama – “El poderoso amor me llama”). Encantados por la extraña excitación del duque\, los cortesanos ahora se divierten a costa de Rigoletto\, quien entra cantando. Intenta descubrir dónde está Gilda pretendiendo que no le importa\, pues lo que más teme es que haya caído en manos del duque. Finalmente\, admite que de hecho está buscando a su hija y pide a los cortesanos que se la devuelvan; los cortesanos la niegan y el bufón encolerizado y desesperado dirige su Cortigiani\, vil razza dannata – Raza maldita de cortesanos”. Los hombres golpean a Rigoletto después de intentar entrar en la habitación donde retienen a Gilda. Entra en escena Gilda quien ruega a su padre que despida a toda esa gente. Los hombres se marchan de la habitación creyendo que Rigoletto se ha vuelto loco. Gilda descubre a su padre lo que le viene pasando desde hace algún tiempo: que se ha enamorado de un joven a quien veía todos los domingos en la iglesia\, que la ha cortejado diciéndole que era un pobre estudiante (Tutte le feste al tempio – “Todos los días festivos”)\, y que al ser raptada ha descubierto que en realidad se trataba del duque. Rigoletto planea vengarse del duque\, mientras su hija pide que le perdone (dúo: Sì! Vendetta\, tremenda vendetta! – “¡Sí! ¡Venganza\, terrible venganza!”). \nACTO III\nUna calle afuera de la casa de Sparafucile \nA orillas de un río\, se ve parte de la casa de Sparafucile\, con dos habitaciones abiertas para que el público lo vea. Es de noche. Rigoletto ha encargado a Sparafucile asesinar al duque\, pero antes debe desengañar a Gilda mostrando su comportamiento licencioso. Rigoletto y Gilda\, que aún ama al duque\, llegan al exterior. Se puede oír la voz del duque cantando la famosa aria La donna è mobile\, hablando de la infidelidad y la naturaleza voluble de las mujeres. Rigoletto hace que Gilda se dé cuenta de que es el duque quien está en casa del asesino y que intenta seducir a la hermana de Sparafucile\, Maddalena (Bella figlia dell’amore – “Hermosa hija del amor”). Entra en escena Maddalena\, hermana y cómplice de Sparafucile\, quien coquetea con el duque y éste sucumbe a sus encantos fácilmente. Rigoletto llega a un acuerdo con el asesino\, que está dispuesto a matar a su huésped por dinero\, y le ofrece 20 escudos por matar al duque. Rigoletto ordena a Gilda que se vaya a casa\, coja dinero y vestida de hombre huya hacia Verona y afirma que él planea seguirla más tarde. El asesino y el bufón deciden que tras su muerte\, el cuerpo del duque será puesto en un saco y arrojado al río. \nCuando cae la noche\, se desencadena una tormenta y el duque decide pasar la noche en la posada. Sparafucile le asigna alojamiento en la planta baja. \nGilda\, que aún ama al duque a pesar de saber que es desleal\, regresa vestida de hombre. Oye a Maddalena intentando convencer a su hermano de que no lo asesine a él\, sino al bufón. Sparafucile no puede asesinar a un cliente\, amén de mostrar su preocupación por los diez escudos que aún le debe Rigoletto por terminar con el encargo\, pero promete cambiarlo por el primer hombre que se presente en la taberna\, si esto ocurre antes de la medianoche. Gilda decide sacrificarse para salvar al hombre del que se ha enamorado. Entra en la taberna pidiendo asilo\, haciéndose pasar por un mendigo. De inmediato\, Sparafucile la alcanza con su puñal\, cae herida mortalmente. \nA media noche\, acaba la tormenta y Rigoletto entra en escena con el dinero. Sparafucile le entrega el saco con el supuesto cuerpo del duque y se regocija en su triunfo. Cuando se dispone a arrojarlo al río\, con piedras para que se hunda\, oye la voz del duque desde el interior de la posada La donna è mobile. Horrorizado\, abre el saco y\, para su desesperación\, descubre a su hija agonizante. Por un momento\, ella revive y está contenta de morir en lugar de su amado (V’ho ingannato – “Padre\, te he engañado”). Ella muere en sus brazos. La escena termina con el lamento desgarrador de Rigoletto en que recuerda la maledizione de Monterone. URL:https://www.ninodiazfundacion.org/evento/i-lanzarote-opera-festival-rigoletto-by-g-verdi/ LOCATION:Terrero de Lucha Ulpiano Rodríguez Pérez\, Calle la Luchada\, 2\, Tías\, Las Palmas\, 35572\, España CATEGORIES:Opera ATTACH;FMTTYPE=image/jpeg:https://www.ninodiazfundacion.org/wp-content/uploads/2022/03/WhatsApp-Image-2022-03-23-at-12.14.40-PM-1.jpeg ORGANIZER;CN="Fundaci%C3%B3n Nino D%C3%ADaz":MAILTO:fnd@fundacion-ninodiaz.org END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/London:20220507T200000 DTEND;TZID=Europe/London:20220507T200000 DTSTAMP:20220331T190002Z CREATED:20220209T073807Z LAST-MODIFIED:20220331T190002Z UID:10000233-1651953600-1651953600@www.ninodiazfundacion.org SUMMARY:ÍNDIGO DÚO and María José Torres DESCRIPTION:PIANTAOS is a musical performance by ÍNDIGO DÚO & MARÍA JOSÉ TORRES\, conceived as a tribute to the great Argentine composer Astor Piazzolla – the great renovator of tango – who\, on 11 March 2021\, would have turned 100 years old\, and whose work is still as relevant as the first day. It is not in vain that Piazzolla once said that he had an illusion\, “that his work would be heard in 2020\, and in 3001 as well”. \nThe musical selection is basically made up of the Argentine maestro’s most recognisable repertoire\, including such well-known tangos as Adiós Nonino\, Balada para un loco and Vuelvo al sur\, to name but a few. The show will also include the instrumental piece “Tango Suite”\, by Piazzolla himself\, and two new compositions by Leandro Ariel Martin and Víctor Landeira\, world premieres. Vibrant rhythms alongside more leisurely ones\, with the constant presence of Buenos Aires\, at times almost as just another character and at other times as an urban theatre in which diverse beings from the outskirts of the city coexist. \nRaised in New York\, Astor Piazzolla returned to Argentina as a young man with a bandoneon his father had given him and with his sights set on transforming the traditional popular tango. The influence of classical music and his taste for jazz and other contemporary forms such as rock\, as well as the knowledge acquired during his stays in France and Italy\, together with his time in the USA\, brought him closer to a modern tango\, rich in instrumentation and exquisite to the ear. \nPiantaos is\, in short\, a journey through the most significant aspects of Piazzolla’s long musical career. A work that moves away from the tradition of classical tango to\, paradoxically\, take it back to its origins: an ensemble of guitar\, flute and voice. \nAstor Piazzolla’s compositions have acquired a universal dimension\, an enormous recognition both from the public and from specialised critics and music professionals\, which is why it is inevitable to pay tribute to his work and his era\, even from a small island in the middle of the Atlantic. \n\nPROGRAMME \nTango Suite I \nYou always come back to Buenos Aires \nChiquilín de Bachín * – Víctor Landeira \nTango Suite 11 \nAdiós Nonino * – Leandro Ariel \nI am María \nThe lost birds \nTango Suite 111 \nVuelvo al sur \nBalada para un loco \n* World Premiere URL:https://www.ninodiazfundacion.org/evento/indigo-duo-and-maria-jose-torres/ LOCATION:Centro Cívico El Fondeadero\, Av. del varadero\, Puerto el Carmen\, Las Palmas\, 35510\, España CATEGORIES:Concert ATTACH;FMTTYPE=image/jpeg:https://www.ninodiazfundacion.org/wp-content/uploads/2022/02/cartel-piantaos-para-redes-scaled.jpg ORGANIZER;CN="Fundaci%C3%B3n Nino D%C3%ADaz":MAILTO:fnd@fundacion-ninodiaz.org END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/London:20220403T190000 DTEND;TZID=Europe/London:20220403T190000 DTSTAMP:20220219T070321Z CREATED:20220218T062533Z LAST-MODIFIED:20220219T070321Z UID:10000236-1649012400-1649012400@www.ninodiazfundacion.org SUMMARY:Presentation of the CD miniatures by Nino Díaz DESCRIPTION:Miniaturas is a musical journey that covers from its origins the sounds that show the personal universe of Nino Díaz\, in which he has been detaching himself from all kinds of artifices to build his own eclectic and subtle sound discourse. \n– First part – \nPresentation of the album by Nino Díaz \n– Second part – \nSmall concert with works from the CD\n– 5 miniatures – Radovan Cavallin\, clarinet\n– 3 microludes – Natalia Nikolaeva\, piano\n– Litany – Judit Díaz\, cello\n– 8 Pajazzadas – Radovan Cavallin and Nino Díaz\, clarinets\n– Variations in style on the theme Pepe Mesa – Radovan Cavallin and Natalia Nikolaeva\, clarinet and piano URL:https://www.ninodiazfundacion.org/evento/presentation-of-the-cd-miniatures-by-nino-diaz/ LOCATION:Teatro Municipal de Tías\, Calle San Antonio\, 4\, Tías\, Las Palmas\, 35572\, España CATEGORIES:Concert,Presentation ATTACH;FMTTYPE=image/jpeg:https://www.ninodiazfundacion.org/wp-content/uploads/2022/01/Caratula-CD-Miniaturas-2-scaled.jpg ORGANIZER;CN="Fundaci%C3%B3n Nino D%C3%ADaz":MAILTO:fnd@fundacion-ninodiaz.org GEO:28.95386;-13.65335 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Teatro Municipal de Tías Calle San Antonio 4 Tías Las Palmas 35572 España;X-APPLE-RADIUS=500;X-TITLE=Calle San Antonio\, 4:geo:-13.65335,28.95386 END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/London:20220402T200000 DTEND;TZID=Europe/London:20220402T210000 DTSTAMP:20220319T181803Z CREATED:20220124T073714Z LAST-MODIFIED:20220319T181803Z UID:10000231-1648929600-1648933200@www.ninodiazfundacion.org SUMMARY:Cristina Barcel\, soprano & Vicent Bru\, cembalo DESCRIPTION:Le doux silence… airs\, brunettes et chansons \nMúsica francesa para voz y tecla del siglo XVII \nCristina Barcel\, soprano \nVicent Bru\, clave \nLe doux silence es un programa que gira en torno a piezas para voz y acompañamiento compuestas en el siglo XVII en la Francia del Rey Sol\, Louis XIV. Las Brunetes ou petites airs tendres pertenecen a la recopilación de piezas populares\, canciones\, airs\, realizada por el editor real Christophe Ballard. Las obras de Honor  d’Ambruys\, Michel Lambert y Sébastien Le Camus son airs de cour\, música que representa el ambiente de la corte de Louis XIV\, música editada por la familia Ballard. Por último\, la música de Jacques Champion Chambonnieres represente el nexo instrumental del programa\, músico también de la corte y uno de los grandes exponentes de la música para tecla francesa del XVII. \nPROGRAMA \nJ’avois crû  qu’en vous aymant \n\n  Brunetes ou petites airs tendres Christophe Ballard\,  diteur\n\nAllemande La Rare \n\n  Jacques Champion Chambonnieres 1601- 1672\n\nQue mon martire me seroit doux \n\n  Brunetes ou petites airs tendres Christophe Ballard\,  diteur\n\nL’Entretien des Dieux \n\n  Jacques Champion Chambonnieres 1601- 1672\n\nLe doux silence de nos bois \n\n  Honor  d’Ambruys s.XVII\n\nCourante de Madame \n\n  Jacques Champion Chambonnieres 1601- 1672\n\nOu  êtes-vous allés mes belles amourettes \n\n  Brunetes ou petites airs tendres Christophe Ballard\,  diteur\n\nSarabande en sol \n\n  Jacques Champion Chambonnieres 1601- 1672\n\nMa bergère est tendre et fid le \n\n  Michel Lambert 1610 -1696\n\nAh! que ces bois\, ces ruisseaux\, ces fontaines \n\n  Brunetes ou petites airs tendres Christophe Ballard\,  diteur\n\nLes Baricades \n\n  Jacques Champion Chambonnieres 1601- 1672\n\nFor ts solitaire \n\n  Sébastien Le Camus c. 1610-1677\n\nChaconne en Fa \n\n  Jacques Champion Chambonnieres 1601- 1672\n\nRien n’est égal à ma douleur \n\n  Brunetes ou petites airs tendres Christophe Ballard\,  diteur\n\nPavanne en re \n\n  Jacques Champion Chambonnieres 1601- 1672\n\nLaissez durer la nuit. \n\n  Sébastien Le Camus c. 1610-1677 URL:https://www.ninodiazfundacion.org/evento/olga-morral/ LOCATION:Centro Cívico El Fondeadero\, Avenida del varadero\, Puerto del Carmen\, Tías\, 35510 CATEGORIES:Concert ATTACH;FMTTYPE=image/jpeg:https://www.ninodiazfundacion.org/wp-content/uploads/2022/01/Cristina-Barcel-Vicent-Bru-scaled.jpg ORGANIZER;CN="Fundaci%C3%B3n Nino D%C3%ADaz":MAILTO:fnd@fundacion-ninodiaz.org GEO:28.9216457;-13.6730654 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Centro Cívico El Fondeadero Avenida del varadero Puerto del Carmen Tías 35510;X-APPLE-RADIUS=500;X-TITLE=Avenida del varadero:geo:-13.6730654,28.9216457 END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/London:20211212T120000 DTEND;TZID=Europe/London:20211212T120000 DTSTAMP:20211107T060627Z CREATED:20211107T060627Z LAST-MODIFIED:20211107T060627Z UID:10000229-1639310400-1639310400@www.ninodiazfundacion.org SUMMARY:FALLA ENSEMBLE DESCRIPTION:Falla Ensemble is a group specialising in contemporary music that focuses its repertoire on scores composed in the last hundred years. \nThe Ensemble is built around Manuel de Falla’s Concerto for harpsichord and five instruments. This work and its composer could be more than enough of an excuse for the creation of the Ensemble\, but it would be unfair to forget the other protagonist of this project: the harpsichord\, an instrument unjustly forgotten in current creation\, and whose special sonority can contribute a great deal to contemporary music. \nThe Ensemble is made up of a group of first-class Spanish musicians\, among whom we can highlight the harpsichordist Silvia Marquez\, one of the best in our country\, and with great international recognition. \nThe repertoire they work with is very wide\, covering works from the first half of the 20th century (such as: Manuel de Falla\, Eliot Carter\, Darius Milhaud\, Bela Bartok…) to the most current repertoire\, including world premieres by Sergio Blardony\, Samuel Aguilar\, Nino Díaz… \nPROGRAMME \nJacobo Durán-Loriga – Jabardillo contrapuntístico\nSamuel Aguilar – Some small\, little\, tiny thoughts\nKaija Saariaho – Jardin secret II for harpsichord and tape\nDarius Milhaud – Sonata for violin and harpsichord\nEnric Palomar – Concerto di camara* *Concerto di camara* \n*World Premiere URL:https://www.ninodiazfundacion.org/evento/falla-ensemble-3/ LOCATION:Auditorio Alfredo Kraus\, Avda. Principe de Asturias s/n\, Las Palmas de Gran Canaria\, Las Palmas\, 35010\, España CATEGORIES:Concert ATTACH;FMTTYPE=image/jpeg:https://www.ninodiazfundacion.org/wp-content/uploads/2018/10/Falla-Ensemble-2.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/London:20211211T193000 DTEND;TZID=Europe/London:20211211T203000 DTSTAMP:20211119T083040Z CREATED:20211101T193412Z LAST-MODIFIED:20211119T083040Z UID:10000227-1639251000-1639254600@www.ninodiazfundacion.org SUMMARY:FALLA ENSEMBLE DESCRIPTION:Falla Ensemble\, is a group specialising in contemporary music that focuses its repertoire on scores composed in the last hundred years. \nThe Ensemble is built on the template of the Concerto for harpsichord and five instruments by Manuel de Falla. This work and its composer could be more than enough of an excuse for the creation of the Ensemble\, but it would be unfair to forget the other protagonist of this project: the harpsichord\, an instrument unjustly forgotten in current creation\, and whose special sonority can contribute a great deal to contemporary music. \nThe Ensemble is made up of a group of first-class Spanish musicians\, among whom we can highlight the harpsichordist Silvia Marquez\, one of the best in our country\, and with great international recognition. \nThe repertoire they work with is very wide\, covering works from the first half of the 20th century (such as: Manuel de Falla\, Eliot Carter\, Darius Milhaud\, Bela Bartok…) to the most current repertoire\, including world premieres by Sergio Blardony\, Samuel Aguilar\, Nino Díaz… \n\nPROGRAMME \nJacobo Durán-Loriga – Jabardillo contrapuntístico\nDarius Milhaud – Sonata para clave y violín Op. 257\nRoberto Sierra – Chacona en forma de montuno*\nSamuel Aguilar – Some small\, little\, tiny thoughts\nEnric Palomar – Concerto di camara** \n*Commissioned by the Spanish Music Festival of Cádiz \n**World Premiere URL:https://www.ninodiazfundacion.org/evento/falla-ensemble-2/ LOCATION:Centro Cívico El Fondeadero\, Avenida del varadero\, Puerto del Carmen\, Tías\, 35510 CATEGORIES:Concert ATTACH;FMTTYPE=image/jpeg:https://www.ninodiazfundacion.org/wp-content/uploads/2018/10/Falla-Ensemble-4.jpg ORGANIZER;CN="Fundaci%C3%B3n Nino D%C3%ADaz":MAILTO:fnd@fundacion-ninodiaz.org GEO:28.9216457;-13.6730654 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Centro Cívico El Fondeadero Avenida del varadero Puerto del Carmen Tías 35510;X-APPLE-RADIUS=500;X-TITLE=Avenida del varadero:geo:-13.6730654,28.9216457 END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/London:20211106T200000 DTEND;TZID=Europe/London:20211106T200000 DTSTAMP:20211101T192115Z CREATED:20211101T192115Z LAST-MODIFIED:20211101T192115Z UID:10000226-1636228800-1636228800@www.ninodiazfundacion.org SUMMARY:NATALIA NIKOLAEVA\, piano DESCRIPTION:Born on the Crimean peninsula\, she lives in Berlin and Lanzarote. She began her studies in piano and music pedagogy in Simferopol (Crimea) and Lviv (Ukraine)\, which she continued at the University of the Arts (UdK) in Berlin. During his studies he took part in various advanced piano and chamber music courses. He taught piano at the University of Potsdam\, where he also obtained a doctorate on the works of the composer Sergej Rachmaninov. He has published several articles in music publications. He has had an intense concert activity as a solo pianist as well as in collaboration with orchestras and chamber ensembles. He has given concerts in Germany\, Ukraine\, Russia\, Poland\, Belgium\, France\, Sweden\, the Netherlands and Latin America. In Spain\, especially in the Canary Islands\, his educational and concert projects\, such as “La Pasión de Viajar”\, “Espérame”\, “Proyecto Humboldt”\, “Muraría de Lanzarote”\, among others\, are regularly presented. \n\nPROGRAMME \nPROGRAMME URL:https://www.ninodiazfundacion.org/evento/natalia-nikolaeva-piano/ LOCATION:Teatro Municipal de Tías\, Calle San Antonio\, 4\, Tías\, Las Palmas\, 35572\, España CATEGORIES:Concert ATTACH;FMTTYPE=image/jpeg:https://www.ninodiazfundacion.org/wp-content/uploads/2021/10/Natalia-Nikolaeva-scaled.jpg ORGANIZER;CN="Fundaci%C3%B3n Nino D%C3%ADaz":MAILTO:fnd@fundacion-ninodiaz.org GEO:28.95386;-13.65335 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Teatro Municipal de Tías Calle San Antonio 4 Tías Las Palmas 35572 España;X-APPLE-RADIUS=500;X-TITLE=Calle San Antonio\, 4:geo:-13.65335,28.95386 END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/London:20210925T190000 DTEND;TZID=Europe/London:20210925T203000 DTSTAMP:20210815T171830Z CREATED:20210126T065556Z LAST-MODIFIED:20210815T171830Z UID:10000209-1632596400-1632601800@www.ninodiazfundacion.org SUMMARY:Spanish Brass DESCRIPTION:Spanish Brass es uno de los quintetos de metal más dinámicos y consolidados del panorama musical español. Ha participado en los festivales más importantes del mundo\, ha tocado en la gala de los premios Príncipe de Asturias (1995) y ha grabado la música de la obra La Fundación de Buero Vallejo y la banda sonora de la película Descongélate\, de Félix Sabroso.  \nEl año 1996 obtuvo el Primer Premio del 6º Concurso Internacional para Quintetos de Metales “Ville de Narbonne” (Francia)\, considerado el más prestigioso para esta formación. En 2017 recibió el I Premio Bankia al Talento Musical en la Comunitat Valenciana y en 2019\, el Premio Espai Ter de Música de Torroella de Montgrí por el proyecto Mira si hem corregut terres… y dos Premios Carles Santos otorgados por el Instituto Valenciano de Cultura\, por sus CD XXX y Mira si hem corregut terres… En 2020 ha recibido el Premio Nacional de Música en la modalidad de Interpretación que otorga el Ministerio de Cultura de España y un Premio Carles Santos por su álbum Les Aventures de Monsieur Jules. \nHa publicado veintisiete trabajos discográficos\, entre los que se incluyen dos DVD-CD y un doble CD recopilatorio\, que muestran sus múltiples facetas.  \nCada año organiza dos festivales de viento-metal: Spanish Brass Alzira-SBALZ (www.sbalz.com) y Brassurround Torrent (www.brassurround.com). \nEl grupo toca con trompa Paxman\, trombón Courtois y tuba Melton y con la nueva aplicación BlackBinder. Además\, utiliza fundas de instrumentos marca Bags. Recibe apoyo del Institut Valencià de Cultura y del Ministerio de Cultura-INAEM. \nComponentes \nCarlos Benetó Grau\, trompeta \nJuanjo Serna Salvador\, trompeta \nManuel Pérez Ortega\, trompa \nInda Bonet Manrique\, trombón \nSergio Finca Quirós\, tuba \n\nPROGRAMA \nSheep May Safely Graze (Cantata 208) – Johann Sebastian Bach (arr. Carlos Benetó) \nA-Brass-Ada – Arnau Bataller \nI Moviment   \nII Moviment \nIII Moviment \nDance Suite – Leonard Berstein \n I. Dancisa for Anthony  \nII. Waltz for Agnes  \nIII. Bi-Tango for Misca  \nIV. Two-step for Mr. B. \nV. MTV for Jerry \nChaplin Suite – Charles Chaplin (arr. Thierry Caens)  \nPiaf ForeverVarious (arr Thierry Caens) \nOblivion – Ástor Piazzolla (arr. Thierry Caens) \n Libertango – Astor Piazzolla (arr. Thierry Caens) \nMon amant de Saint Jean Émile Carra (arr. Thierry Thibault) \nMediterráneo – Joan Manel Serrat (arr. Ramon Cardo) URL:https://www.ninodiazfundacion.org/evento/spanish-brass/ LOCATION:Municipal Theater of Tías\, Calle San Antonio\, 4\, Tías\, Las Palmas\, 35572\, España CATEGORIES:Concert ATTACH;FMTTYPE=image/jpeg:https://www.ninodiazfundacion.org/wp-content/uploads/2021/01/Spanish-Brass-Premio-Nacional-de-Música-2020-2.jpg ORGANIZER;CN="Fundaci%C3%B3n Nino D%C3%ADaz":MAILTO:fnd@fundacion-ninodiaz.org GEO:28.95386;-13.65335 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Municipal Theater of Tías Calle San Antonio 4 Tías Las Palmas 35572 España;X-APPLE-RADIUS=500;X-TITLE=Calle San Antonio\, 4:geo:-13.65335,28.95386 END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/London:20210807T200000 DTEND;TZID=Europe/London:20210807T213000 DTSTAMP:20210705T164330Z CREATED:20210219T182702Z LAST-MODIFIED:20210705T164330Z UID:10000217-1628366400-1628371800@www.ninodiazfundacion.org SUMMARY:MARIO PRISUELOS\, piano DESCRIPTION:MARIO PRISUELOS\, piano \n\n\n\nBorn in Villaviciosa de Odón (Madrid)\, he studied at the Royal Conservatory of Music in Madrid. He further developed his training with the pianist Humberto Quagliata\, finishing his studies in Vienna under the direction of Leonid Brumberg. He also receives advice from pianists such as Phillip Dyson\, Andrzej Jasinski and Alicia de Larrocha. He made his international debut at the Feuchtwangen Piano Festival as part of the acclaimed Musikzauber Franken in Germany\, where critics praised his “great talent and strong power of communication”. Since then he has been intensely active as a recitalist\, soloist in orchestras and chamber ensembles\, with debuts in concert halls in Vienna\, Milan\, Paris\, London\, Florence\, Rio de Janeiro\, New York and Miami. He is a regular guest at important festivals throughout Europe. He has made record and radio recordings with Verso\, Sonoris\, RTVE and Hrvatski Croatian Radio among others. His firm commitment to the music of his time is fundamental\, premiering\, recording and performing in concert halls in Europe and America works often dedicated to him by composers such as Tomás Marco\, Jesús Rueda\, Jesús Torres\, David del Puerto\, José Ma Sanchez Verdú\, Mercedes Zavala\, Nuria Núñez and Mauricio Sotelo among others. Considered one of the most relevant pianists of his generation\, he has recently made an extensive tour of the United States which has led him to make his debut at Carnegie Hall in New York\, as well as concerts at the Auditorio Nacional in Madrid\, the Ircam-Centro Pompidou in Paris\, Teatro Solís in Montevideo\, Teatro Nacional de Lima or the Zagreb Music Academy\, among others. He is frequently asked to give masterclasses at different teaching centres and universities in Europe and America (Princenton University\, William Patterson University\, Florida International University\, University of Costa Rica\, Tel Aviv Conservatory\, etc.). He participates in the Berliner Klassik Sommer in Berlin with the Berliner Camerata\, under the baton of Johannes Schläfli\, concerts in Italy\, Bulgaria\, France and USA and as a soloist with the Ensemble Meitar in Tel Aviv under the baton of Fabian Panisello. His hometown Villaviciosa de Odón awarded him the title of Favourite Son in 2016. His latest recordings include the CD “Adalid: el piano romántico”\, his first work for the Universal label\, and the CD “Tomás Marco: piano Works”\, a monographic CD with piano music by the composer Tomás Marco for the Ibs Classical label. He has premiered the Piano Concerto No. 2 by the composer José Ma Goicoechea with the Orquesta Sinfónica de Navarra and the conductor Josep Caballé Domenech. He has recently released his latest CD “Ricercata: Great Masters of the 20th Century” recorded for the Ibs Classical label. Upcoming engagements will take him to venues in Italy\, Germany\, England\, the United States\, Portugal and Poland. \n\n\n\n\nPROGRAMA \nResonare fibris (2020) – Sergio Blardony (1965) \nI. Versa est in luctum (Sebastián de Vivanco\, ca. 1551-1622)\nII. Resonare fibris 1\nIII. Versa est in luctum (Francisco de Peñalosa\, ca. 1470-1528)\nIV. Resonare fibris 2\nV. Versa est in luctum (Alonso Lobo\, ca. 1555-1617)\nInterludio 1\nVI. Versa est in luctum (Tomás Luis de Victoria\, ca. 1548-1611)\nVII. Resonare fibris 3\nVIII. Versa est in luctum (Juan Gutiérrez de Padilla\, 1590-1664)\nInterludio 2\nIX. Mortuus est Philippus Rex (Ambrosio Cotes\, 1550?-1603)\nX. Resonare fibris 4\nXI. Tristes erant apostoli (Francisco Guerrero\, 1528-1599)\nXII. Resonare fibris 5 \nXIII. Missa pro defunctis a 5 (Pie Jesu) (Cristóbal de Morales\, ca. 1500-1553) URL:https://www.ninodiazfundacion.org/evento/mario-prisuelos-y-sergio-blardony/ LOCATION:Teatro Municipal de Tías\, Calle San Antonio\, 4\, Tías\, Las Palmas\, 35572\, España CATEGORIES:Concert ATTACH;FMTTYPE=image/png:https://www.ninodiazfundacion.org/wp-content/uploads/2021/02/wyi8yd-marioprisu-master-1.png ORGANIZER;CN="Fundaci%C3%B3n Nino D%C3%ADaz":MAILTO:fnd@fundacion-ninodiaz.org GEO:28.95386;-13.65335 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Teatro Municipal de Tías Calle San Antonio 4 Tías Las Palmas 35572 España;X-APPLE-RADIUS=500;X-TITLE=Calle San Antonio\, 4:geo:-13.65335,28.95386 END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/London:20210703T200000 DTEND;TZID=Europe/London:20210703T210000 DTSTAMP:20210606T103320Z CREATED:20210219T145811Z LAST-MODIFIED:20210606T103320Z UID:10000215-1625342400-1625346000@www.ninodiazfundacion.org SUMMARY:Luis Fernández-Castelló & Carlos Apellaniz DESCRIPTION:Luis Fernández-Castelló\, clarinete.\nHe studied at the Conservatorio Superior de Valencia with José Cerveró\, and Master’s Degree with the international soloists François Benda\, Joan Enric Lluna\, Fabrizio Meloni and Wenzel Fuchs. Awarded in the competitions “Rising Star Berlin”\, “Primer Palau”\, “Primer Auditorio” or “Juventudes Musicales de España”\, among more than twenty prizes. OPERA WORLD says of Luis Fernández Castelló: “he is a clarinet virtuoso with very appropriate sounds of warmth and exquisite sweetness”.\nHis intense career has taken him to important national festivals (Granada Music and Dance\, Cuenca Religious Music Week\, Valencia Philharmonic Society\, Linares International Music Festival\, Ensems\, COMA\, BBVA Bilbao Concert Series\, Juan March Foundation\, Cordoba Contemporary Music\, etc.) and international festivals in France\, Germany\, Luxembourg\, Italy\, Belgium\, Holland\, Greece\, Morocco and Portugal. He has performed in the main Spanish concert halls and has worked with prominent composers such as Francisco Coll\, Leonardo Balada\, Cristóbal Halffter\, José María Sánchez-Verdú and Luca Francesconi\, premiering numerous pieces\, many written for him by composers such as Miguel Gálvez-Taroncher\, Sergio Blardony\, David Moliner\, Antonio Gómez-Schneekloth and Jesús Torres. \nHis last two albums\, “The Singing Clarinet” (19th century music for clarinet and piano) on the Orpheus Classical label and “Leonardo Balada: Chamber Works” on the Naxos label\, have been praised by the specialised critics. Other recordings for RNE\, Catalunya Ràdio\, Transópera\, Deutsche Grammphon\, IVC or PrimTON stand out. Since 2016 he has been the exclusive Henri Selmer-Paris Artist and Vandoren-Paris Artist. \nCarlos Apellániz\, piano. \nBorn in Irún\, Guipúzcoa\, he began his musical studies at L’Ecole Nationale de Musique de Bayonne\, France\, with the pianist Françoise Doué. He furthered his musical training at the Conservatoire Nationale Superieur de Musique et Danse in Paris with the maestros Jacques Rouvier and Pascal Devoyon. \nHe has won prizes in more than twenty piano competitions and has won five major international prizes as a soloist. He has given recitals at the Salle Gaveau in Paris\, Salle Cortot in Paris\, Salzburg Festival (Wiener Saal)\, Auditorio Nacional de Madrid\, Palacio de Festivales de Santander\, Auditori de Barcelona\, Auditorio de Zaragoza\, Teatro Victoria Eugenia de San Sebastián (Quincena Musical)\, Palau de la Música de Valencia\, Palau de les Arts de Valencia\, Fundación Botín and the Fundación Juan March. He has performed as soloist with the Orquesta Nationale de Bayonne\, Orquesta de Cámara Andrés Segovia\, Orquesta Pablo Sarasate de Pamplona\, Orquesta de Cámara de Marsella\, Grup Instrumental de Valencia\, Plural Ensemble\, Orquesta de Valencia\, Orquesta Sinfónica de Ciudad de México. \nHis interest in contemporary music is present throughout his career\, but after being appointed solo pianist of the Grup Instrumental de Valencia and in 2005 his work in this field was recognised with the National Music Prize as a soloist member of the Grup Instrumental. He is also a founding member of the B3: Brouwer Trio. \nHe has been invited to give classes at some of the most important courses in Spain: Forum Musikae\, Madrid; International Music Festival\, Valencia; and he has taught at Musikene\, Centro Superior de Müsica del País Vasco; Conservatorio Superior de Aragón; Ecole National de Musique de Bayonne\, France. \n\n\nPROGRAM \nPremière Rhapsodie para clarinete y piano – Claude Debussy (1862-1918) \nSonatina para clarinete y piano – Juan Durán (1960) \nCapricho Pintoresco Op. 41 para clarinete y piano – Miguel Yuste (1870-1947) \nGeusis para clarinete y piano – Ana Vázquez (1970) \nSonata para clarinete y clarinete – Francis Poulenc (1899-1963) \n\nAllegro tristamente\nRomanza\nAllegro con fuoco URL:https://www.ninodiazfundacion.org/evento/luis-fernandez-castello-y-carlos-apellaniz/ LOCATION:Salón Indieras\, Calle la Luchada\, 2\, Tías\, 35572\, España CATEGORIES:Concert ATTACH;FMTTYPE=image/jpeg:https://www.ninodiazfundacion.org/wp-content/uploads/2021/02/Duo.jpg ORGANIZER;CN="Fundaci%C3%B3n Nino D%C3%ADaz":MAILTO:fnd@fundacion-ninodiaz.org GEO:28.9508668;-13.6559314 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Salón Indieras Calle la Luchada 2 Tías 35572 España;X-APPLE-RADIUS=500;X-TITLE=Calle la Luchada\, 2:geo:-13.6559314,28.9508668 END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/London:20210603T200000 DTEND;TZID=Europe/London:20210603T200000 DTSTAMP:20210601T092945Z CREATED:20210219T055348Z LAST-MODIFIED:20210601T092945Z UID:10000213-1622750400-1622750400@www.ninodiazfundacion.org SUMMARY:Recital PANCHO CORUJO DESCRIPTION:Born in Lanzarote\, Francisco Corujo is one of the most promising young Spanish tenors\, winning prizes in international competitions such as the Iris Adami Corradetti or the Francisco Viñas with the second absolute prize and the Placido Domingo prize for the best tenor and the prize for the best zarzuela singer. He trained in Spain and Italy\, with Célida Alzola and María Orán in the Canary Islands\, Manuel Cid and Tom Krause at the Escuela Superior de Música Reina Sofía in Madrid\, and with Carlo Bergonzi at the Academia Verdiana in Busseto. His repertoire includes operas such as La Traviata\, Rigoletto\, La Flauta Mágica\, Cosi fan tutte and Romeo and Juliet. He is also an accomplished interpreter of oratorio and symphonic works such as Mozart’s Requiem\, Puccini’s Mass of Glory and Beethoven’s Ninth Symphony. He has worked with conductors such as Alberto Zedda\, Jesús López Cobos\, Phillipe Entremont\, Joseph Pons\, Placido Domingo\, Oliver Díaz\, José Miguel Pérez Sierra\, Elihau Inbal\, Giancarlo Del Monaco\, Carlos Saura\, Albert Boadella\, Liu Jä\, Mario Pontiggia\, Kery Linn Wilson\, Nicola Luisotti\, Luc Bondi\, Emilio Sagi\, Giuliano Carella\, Robert Carsen\, Eliahu Imbal\, Gianluigi Gelmetti and Vassili Petrenko. \nHe made his debut in 2006\, with Strauss’ Murcielago for the Amigos Canarios de la Ópera in Las Palmas\, Teatro Real de Madrid with Mozart’s Idomeneo (Arbace)\, and La Coruña as Macduff in Verdi’s Macbeth. Since then Francisco has made his debut in the main Spanish and Italian theatres such as Teatro de la Zarzuela in Madrid\, La Fenice in Venice as Alfredo in La Traviata by Verdi\, Arena in Verona in Romeo and Juliet by Gounod\, Verdi in Salerno as Don Ottavio in Don Giovanni\, Petruzzelli in Bari\, etc. \nIn 2013 he recorded his first album “Songs of Paolo Tosti” for the Playclassics label\, together with the pianist Ángel Cabrera. \nAmong his most recent appearances are his debut as Edgardo in Lucia di Lammermoor at the Tel Aviv Opera\, conducted by Yshai Steckler and Emilio Sagi\, Ismaele in Verdi’s Nabucco\, with baritone Leo Nucci\, Gounod’s Romeo and Juliet at the Arena di Verona\, Edgardo in Lucia di Lammermoor in Pavia\, Cremona and Brescia\, Teatro Petruzzelli in Bari as Cassio in Verdi’s Otello\, Wagner’s Tristan and Isolde in La Coruña conducted by Eliahu Inbal\, Maggio Musicale Fiorentino with Schubert’s Mass D950 conducted by Andrea Battistoni\, Ferrando in Mozart’s Cosi Fan Tutte in Cagliari conducted by Cristopher Franklin and Damiano Michieletto\, Romeo in Gounod’s Romeo and Juliet in Zagreb\, debut at the Gran Teatro Nacional de Perú as Tamino in Mozart’s The Magic Flute\, Nemorino in L’elisir d’Amore in Busseto\, Rodolfo in Puccini’s La Bohème in Tenerife\, Cassio in Verdi’s Otello in Las Palmas and at the Teatro la Maestranza in Seville\, Tamino in La Flauta Mágica in La Coruña conducted by Joseph Pons\, Rodolfo in Puccini’s La Bohème in Oviedo\, Beethoven’s Ninth Symphony with the Orquesta Sinfónica del Vallés at the Palau de la Música Catalana\, Fenton in Verdi’s opera Falstaff with Bryn Terfel and Ainhoa Arteta conducted by Alberto Zedda in La Coruña\, Nadir in Bizet’s The Pearl Fishers in Santiago and Vigo conducted by Paul Daniel\, US debut as Tamino in Mozart’s Magic Flute conducted by Ramón Tebar at the Naples Opera in Florida\, Don Giovanni at the Kursaal auditorium in San Sebastián\, Beethoven’s Ninth Symphony at the Santo Domingo Music Festival (Dominican Republic) and in Cordoba conducted by Lorenzo Lorenzo Tebar. Dominican Republic) and in Cordoba conducted by Lorenzo Ramos\, debut as Fernando in the zarzuela Doña Francisquita by Amadeo Vives at the Tenerife Opera\, Rodolfo in Puccini’s Bohème at the Kursall Auditorium in San Sebastián\, Verdi’s Requiem at the Jaén Cathedral\, and concerts with the soprano Ainhoa Arteta in Spain. Spanish premiere of the opera Txanozuritxu by Carlos Imaz at the Arriaga Theatre in Bilbao. World premiere of the opera “El Mozo de Mulas” by the composer Antonio José with the Burgos Symphony Orchestra. World premiere of the zarzuela “La Hija del Mestre” with the Gran Canaria Philharmonic at the Teatro Pérez Galdós in Las Palmas. Teatro de la Zarzuela in Madrid with Barberillo de Lavapiés in a production by Alfredo Sanzol with Miguel Pérez Sierra conducting. Mozart’s Don Giovanni in La Coruña with stage direction by Carlos Saura\, Arrieta’s Marina at the Teatro Pérez Galdós in Las Palmas\, world premiere of the opera O loro de Carlos V in La Coruña\, composition by Nani García and stage direction by Maria Peinado accompanied by the Orquesta Sinfónica de Galicia. Concert in the Alfredo Kraus Auditorium in Las Palmas with tenors Celso Albelo and Jorge de León and the Symphonic Orchestra of Las Palmas. \n\nPROGRAM \n• Morirò!!! I. Albeniz \n• T’ho riveduto in sogno I. Albeniz \n• La Barcheta R. Hahn \n• La Primavera R. Hahn \n• Serenata P. Mascagni \n• Mattinata R. Leoncavallo \n• Preludio de Mirambel n.1 A. G. Abril \n• Todo e silencio A. G. Abril \n• No por amor no por tristeza A. G. Abril \n• Canto porque estoy alegre A. G. Abril \n• A la orilla de un palmar M. M. Ponce \n• Estrellita M. M. Ponce \n• Marchita el Alma M. M. Ponce \n• L’arlesiana (Preludio) F. Cilea \n• IL lamento de Federico F. Cilea URL:https://www.ninodiazfundacion.org/evento/recital-pancho-corujo/ LOCATION:Teatro Municipal de Tías\, Calle San Antonio\, 4\, Tías\, Las Palmas\, 35572\, España CATEGORIES:Concert ATTACH;FMTTYPE=image/jpeg:https://www.ninodiazfundacion.org/wp-content/uploads/2020/10/DSC0201-scaled.jpg ORGANIZER;CN="Fundaci%C3%B3n Nino D%C3%ADaz":MAILTO:fnd@fundacion-ninodiaz.org GEO:28.95386;-13.65335 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Teatro Municipal de Tías Calle San Antonio 4 Tías Las Palmas 35572 España;X-APPLE-RADIUS=500;X-TITLE=Calle San Antonio\, 4:geo:-13.65335,28.95386 END:VEVENT END:VCALENDAR